A Quote by Dominic Holland
When I was a little boy, I was fascinated by the way my dad used to laugh at the telly, and from a very early age, I had an idea of what was funny and why people laughed.
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Humour is learned behaviour, and I know exactly why I learned to be funny. I did it from a very early age. My dad was a hilarious man, and the way we interacted was being silly together. It was a way to hold his attention.
It's very difficult once you've been on telly because people know what you do. They give you a little bit of grace but then they're harsher if you're not funny, so you have to be funny.
I remember being fascinated by the very nature of comedy from the age of 10; why is this funny, and that isn't?
The problem is that we live in an uptight country. Why don't we just laugh at ourselves? We are funny. Gays are funny. Straights are funny. Women are funny. Men are funny. We are all funny, and we all do funny things. Let's laugh about it.
I have always been a Laugher, disturbing people who are not laughers, upsetting whole audiences at theatres... I laugh, that's all. I love to laugh. Laugher to me is being alive. I have had rotten times, and I have laughed through them. Even in the midst of the very worst times I have laughed.
My dad had a great sense of humor; he was a very funny guy and did know how to laugh.
Who will cry for the little boy, lost and all alone?
Who will cry for the little boy, abandoned without his own?
Who will cry for the little boy? He cried himself to sleep.
Who will cry for the little boy? He never had for keeps.
Who will cry for the little boy? He walked the burning sand.
Who will cry for the little boy? The boy inside the man.
Who will cry for the little boy? Who knows well hurt and pain.
Who will cry for the little boy? He died and died again.
Who will cry for the little boy? A good boy he tried to be.
Who will cry for the little boy, who cries inside of me?
Th left laugh at the idea that you think we might have been on the verge of losing America. They laugh at it. So if they don't understand that, if they mock that, laugh at that, they're never going to understand Trump or why people voted for him. There's no way they can.
The whole character of Super Dave is a takeoff on people who pontificate. So one thing I never want to do is pontificate why this works, why this is funny. I have no idea what the appeal is. All we are trying to do is make people have a good time and laugh.
The Little Boy and the Old Man Said the little boy, "Sometimes I drop my spoon." Said the old man, "I do that too." The little boy whispered, "I wet my pants." I do that too," laughed the little old man. Said the little boy, "I often cry." The old man nodded, "So do I." But worst of all," said the boy, "it seems Grown-ups don't pay attention to me." And he felt the warmth of a wrinkled old hand. I know what you mean," said the little old man.
When I was in improv workshops or doing stand-up or writing comedy with others, or just doing comedy, I just laughed. Funny was funny; I loved to laugh. I always liked people I found generally funny.
I'm just fascinated by houses. In another life, I'd have probably trained as an architect. If I had enough money, I'd collect them like other people collect teapots. I don't know why I love them so much. I'm just very interested in the idea of a house as a metaphor for the way one lives.
I wasn't a class clown, I just found at an early age that I was able to make people laugh. So I mostly wrote funny stuff instead of writing what I was supposed to be writing.
Mind you, as a little boy, I always had other interests from most kids. I was not a boy who rubbed around baseball bats. I always had the storytelling instinct, even as a child. I was a very imaginative little boy.
[J.F Kennedy] was a congressman and a senator and he would go on to be president. I had that idea as a little boy, and I used to joke to people but nobody told me that his father was ambassador to England and that he was a war hero, and he was, you know.
The first chance I had to go to Japan, which was in the early nineties, I went to a Noh play. I thought, 'This is very, very slow.' I noticed lots of people falling asleep. I didn't really know what was going on; I was getting a little sleepy myself. Then the more I studied it, the more fascinated I got.
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