A Quote by Dominic Holland

I find it pressurising coming to the Voodoo Rooms to do my hour of comedy. — © Dominic Holland
I find it pressurising coming to the Voodoo Rooms to do my hour of comedy.
It is not a question of whether I believe in voodoo. I am a scholar and, as such, I have studied the concept of voodoo. I have created the faculty of Afro-Haitian ethnology in our university where the concept of voodoo is taught. Voodoo is not superstition. It is a philosophy, a conception of God.
I'm excited to create more awareness about the importance of giving the youth of America a choice. There's a 24-hour music channel. There's a 24-hour comedy channel. I believe there's a 24-hour gay channel coming. Why isn't there a 24-hour Christian channel that's edgy and hip and cool and new and different, like all that other stuff?
The 'civil rights' revolutionary groups are a case in point. Their goal is not equality but power. The background of Negro culture is African and magic, and the purposes of magic are control and power. . . Voodoo or magic was the religion and life of American Negroes. Voodoo songs underlie jazz, and old voodoo, with its power goal, has been merely replaced with revolutionary voodoo, a modernized power drive.
I find it difficult to be in rooms now for long periods of time. I can usually take it for about an hour. Then I stride out.
The earth's biosphere could be thought of as a sort of palace. The continents are rooms in the palace; islands are smaller rooms. Each room has its own decor and unique inhabitants; many of the rooms have been sealed off for millions of years. The doors in the palace have been flung open, and the walls are coming down.
'Breaking In' is a very different office comedy and a caper comedy. Aside from 'Chuck,' there is no half-hour comedy that does stuff like that.
Voodoo doll belong in the house of voodoo.
[on making the transition from the comedy "Mary Tyler Moore" (1970) to its dramatic spin-off series "Lou Grant" (1977)] We were really worried about changing over from a three-camera, half-hour comedy to a one-camera, full-hour drama. The audience wasn't ready for the switch - even CBS billed us in their promos as a comedy. In fact, the whole thing was impossible. But we didn't know that.
Stand up comedy is this thing you get to do, so you have to treat it with respect. You can't just be like, 'Alright, I got my hour down, people are coming to see me now. Now, I'm going to lean on the mike stand.' No, you gotta work even harder now. You got to top what you already did. Because they'll find someone else.
Locker rooms and grill rooms are still the best places to find out things you don't know - at the Masters or any other golf tournament.
You have to have energy at hour 13, at hour 14, at hour 15 - comedy cannot be tired, cannot be lazy. You have to be ready to go; you have to have energy.
I tend to find comedy in dark places. I also tend to find comedy in taking on the status quo - which has always been something I find important.
I get to play around with different ideas and beautiful melodies. I don't have to yell in a rock voice. I think you can get an emotional depth in the types of rooms we're playing that you can't find in larger rooms.
My intent when I moved to L.A. was to get in good with the comedy clubs and, eventually, try to break into Comedy Central and have my half hour special.
I've done a number of these My Name is Earl shows. I play Earl's father. It's a half-hour comedy. And I'll be doing some more of those. I have a movie coming out that I did with Misha Barton, called Don't Fade Away.
The background of the Negro culture is voodoo and magic; and the purposes the magic are control and power over God, man, nature and society. Voodoo and magic was the religion and life of America's Negro.
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