A Quote by Dominic Monaghan
One of my jobs as an actor, regardless of who I play - even if I'm playing a despicable character - is to make people think that that character could exist, that he's real, and the way to do that is to make him believable. He doesn't have to be likable or charming, but he just has to be believable. That is someone who I could see on a bus. That is someone who I could walk past in the street.
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When I play a gay character, I want to be as believable as possible. And when I'm playing a straight character, I also want to be as believable as possible. So the less that people know about my personal life, the more believable I can be as a character.
Dubbing can change the 'sur' of the character. Doing it for another actor and to make it believable is tricky but interesting because you do not know the graph of the character.
I don't worry about whether a character is likable, as long as the character is believable.
Because it's me playing the character, trying to find a way to make it believable and entertaining and interesting.
The role of an actor is to make every character believable.
And the most important thing - apart from telling a good, believable story, and being a true character - is to be someone the audience will care about, even if you're playing a murderer or rapist.
One of the reasons Batman works as a character is that it's not beyond possibility that he could exist - you could become Batman if you had a billion dollars at your disposal. There's nothing paranormal or superhuman or supernatural about that character. And I think his villains work the same way. You could be one of his villains just as easily.
When I was a kid, I'd watch pro football on TV and I'd see someone make a play and I'd say, 'I wish that could be me.' But then I'd have to wonder, 'Could I make that big play?'
To be an actor and a director, I actually felt it helped me tremendously to be in the scenes of The Hollars, because as you can see, they're very intimate, very intense scenes. You don't want to break the actor's character and you don't want to break their momentum, so as the actor, I tried not to call cut as much as I could, and almost make it feel like a play, just set this environment where these amazing actors could do what they wanted to do.
I think you should identify with your character, but plenty of people like themselves and hate themselves. You just have to find out what's truthful for the person you're playing. When people talk about that, I think what they're saying is that as an actor, as Peter, you don't want to make a judgment that comes from your worldview about the character. Your judgments should be coming from the place of the character, and within that space, sure, you could love or hate yourself or whatever you think is most appropriate.
There are very few films or plays or anything about really happy people with perfect lives. Everyone is usually screwed up in some way and that is usually where the work comes in - figuring out how to make it believable and make it real to present someone.
OK, so, my favourite actress in the world is Sarah Paulson. I think she is so talented and I admire her so much, I have always said from the beginning she is someone who just really has perfected the craft. She could play anybody and be believable.
I know myself - I cannot just play a cliche. It has to be a character; it has to be written with the complexity of the human being behind. Could be bad, could be good, could be someone we would hate, but still, I need a reason for that influence, and I need to understand why.
Although someone's vote may hurt me by supporting the structures in place that hold people of colour, women, and LGBT+ people down, some people just don't realise that these structures exist. The way someone votes doesn't make them a bad person; it just means that, at the time, this was the best decision they thought they could make.
Everyone is usually screwed up in some way and that is usually where the work comes in - figuring out how to make it believable and make it real to present someone's problems that you don't necessarily actually know anything about.
In New York you go to the coffee shop, have a bagel, walk down the street, get hassled, run into someone else. People just waltz into your world and it's believable.
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