A Quote by Dominic Monaghan

My job is to try and present the most fully-rounded character that I can, and bring a performance that people believe in. — © Dominic Monaghan
My job is to try and present the most fully-rounded character that I can, and bring a performance that people believe in.
I try to give each performance my own soul, to bring a truth to my character. Hopefully, when I bring that much truth to a character, it resonates with somebody, and it sparks some kind of emotion in them.
You want to try and bring a character to life in an honest a way as you possibly can. It doesn't matter whether he's a doctor, an actor, a car salesman or a captain of a starship. If you can bring truth and honesty to that character, then your audience will believe you.
My only job as an actor is to try and understand the character and, to the best of my ability, bring this character to life.
I feel like I express myself, as an actor. Whatever the character is put in front of me, I try to bring truth to it, whichever way it lands. I try to bring as much truth to it and make it as believable as I can. I think that's the job of an actor.
While I was coaching, I believe the motivation talk I gave my players that achieved the best results was in reference to their present game-day effort. I stressed the fact that today's performance could be the most important of their life. Yesterday's performance was already history. Tomorrow really never comes, so today's performance is what really counts.
My job is to work hard and be honest with my character, and that's in my control. I can only try to give my best performance.
Believe it or not, I was all fully rounded by the time I was nine years old.
I'm sorry, but to ask an audience these days to invest three hours in a show requires your heroine be an understandable and fully rounded character.
I'm a character and relationship guy, and even with the 'Saw' films, it's special-effects people's jobs to create these scary things. It's not my job. My job is to bring some sense of humanity to the character, no matter how evil he may be. The script is going to take me there.
I have been trying to make the reader believe that we actually are, at present, creatures whose character must be, in some respects, a horror to God, as it is, when we really see it, a horror to ourselves. This I believe to be a fact: and I notice that the holier a man is, the more fully he is aware of that fact.
I let the comedy come through the character and just try to make sure that everything is kind of rounded in a truth, in a reality, because that's what I need to make a character work.
It was tough to not be judgmental of a person like Harshad Mehta. But that's where the training of an actor comes into play. My job is to create that character and present him to the audience. If even one per cent of judgment creeps in, then the whole performance will be affected.
My approach is always the same. I try to be as honest as possible. Find the real honesty and humanity in the character because even a fictional character is supposed to feel real. And my job is to find that reality and bring it to the screen.
Too many leaders are so caught up in the momentum of work that they lose sight of the opportunity to connect with people. I discovered that the more fully present I was with other people, the more fully present they were with me, and the more productive our relationship became over time.
The job of the art is to really convey and support that empathetic response. I always try to find where the character is mushy, and then bring that to the forefront.
For example, the character of Claire in In Dreams wasn't imagined enough by me. Annette Bening is a great actress, and she gave a great performance, but because I hadn't fully written it essentially the character wasn't finished.
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