A Quote by Dominic Monaghan
People have a fear of the unknown. Insects have different senses than us, different amount of limbs and their body structure is very different. It's hard for us to really relate to them and understand them.
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We can cooperate more easily with those who more easily intelligible to us, who are more familiar to us. But the advantages of specialization of labor often push us in the direction working with people who have different strengths and viewpoints than we do. I think that this is one major reason why moralities are always subject to change, because some of the people we cooperate with are going to be different from us in ways that often lead them to have different value orientations than we have; and interacting with them can change us.
Another problem of fragmentation is that thought divides itself from feeling and from the body. Thought is said to be the mind; we have the notion that it is something abstract or spiritual or immaterial. Then there is the body, which is very physical. And we have emotions, which are perhaps somewhere in between. The idea is that they are all different. That is, we think of them as different. And we experience them as different because we think of them as different.
Let me tell you about the very rich. They are different from you and me. They possess and enjoy early, and it does something to them, makes them soft where we are hard, and cynical where we are trustful, in a way that, unless you were born rich, it is very difficult to understand. They think, deep in their hearts, that they are better than we are because we had to discover the compensations and refuges of life for ourselves. Even when they enter deep into our world or sink below us, they still think that they are better than we are. They are different.
Change makes us confront the great unknown. It introduces different things into our lives. Different places. Different ideas. Different people. It's all hard to accept at times, and change can often be a little scary. But if there's one fact that I've learned from raising a family, from running several businesses, from serving in Congress and now as Governor, it's that nothing has ever grown without changing.
The hardest thing is being with other people — it's like they're on a different wavelength, but only you know it. They talk about their lives and what's wrong with them, and you kind of, like, just let them go. It's a whole different language, and you've got to remember that you can only respond in their mother tongue. It's really hard to relate.
There's a certain amount of tyranny in all of us to some extent, and in some people it's much more developed than in others. It's a different balance which makes us all different.
I was very different than everybody else growing up. I spoke a different language at home, I ate different food, and I looked different. So I could always relate to Aladdin in that way, being the outcast.
The major difference for us in America with respect to Hispanic immigration is that it is so large and that it is coming from neighboring countries rather than those countries off the Atlantic or Pacific. That creates different issues and different problems for us as compared to the past. It is still very different, however, from the situation in Europe where we see people with a very different non-European religion coming from neighboring countries.
You have a lot more leeway to be contradictory playing a character than most of the scripts have in them. That's how all actors are. We have so many different sides of ourselves and we're so different, in meeting with different people. The audiences relate more to that and find that more believable.
I think people feel like other people are very different from them... And that people who are different from them are actually sort of unworthy of the same rights or empathy. I don't understand that.
In that little party there was not one who would desert another; yet we were of different countries, different colours, different races, different religions--and one of us was of a different world.
It's [Into the Badlands] something that's very, very different and I think that's why it divided critics initially because they didn't understand it or get it. They didn't understand or have a knowledge of what we were trying to do. Bringing in the Asian martial arts aesthetic to American television. For us, these are the people who will make the show a hit or a failure in future seasons. So it's for us to respect them and interact and see what they have to say.
Collaboration is such a thrill when you're working with someone you really respect. When it's just one person working alone you get a singular view of their world, and that can be great, too. But when you have different people working together with different aesthetics, different techniques, and different mediums, you get something bigger than both of them.
We have to understand where we have strategic relationships that require us to take a different approach. I guess the easiest way to describe it is: different strokes for different folks.
I mean I think children love the idea that there are different viewpoints and different words for things and different worlds. And the more that they pretend to be other people, the harder it is for them to hate them and misunderstand them when they grow up.
The two cultures of East and West are very different, and the priorities are very different. So when you understand that - if you are from this side or this side - when you understand that the other is different than you, and you respect these differences, you can build communication.
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