A Quote by Dominic Monaghan

I've worked on films where the budgets are almost limitless and you're in trailers that are bigger than a hotel room. You're taken care of and the food is amazing, the quality of the job is amazing and then you work on smaller things but it never dictates my happiness or my willingness to go to work.
At Sir-Tech I went through the ranks, almost like an apprenticeship. I was very fortunate. The industry was smaller then, and I was able to work alongside some amazing game designers.
I used to work at a hotel. I was the order-taker for room service. My mom worked at the hotel as an accountant.
My job never actually leaves me. I watch people who come home from work at six and they're done, and that seems crazy. Then again, they have to get up at seven and go to work, to a job that maybe they don't really care about, and I get to do something that I care about.
It's amazing, the quality of good work that happened in the fifties when a series would have to turn out 30-some episodes a season - it's amazing that 'I Love Lucy' was as good as it was!
I've been so honored and so lucky to work with some amazing people. I've collaborated on amazing sets and with amazing crews.
I've been given an amazing opportunity and I could not be more grateful. But I also know that all this will eventually die off. It's not real. It will go away and then you'll go away and then, I don't know, I'll be left sitting in some English hotel room.
The thing is this: I've got an amazing career in England that couldn't possibly get much better. I do the best theater around, I work at the National Theater, the Old Vic - which I'm sure you've heard of because it's the one Kevin Spacey runs - and I play the most amazing roles and work with the most amazing directors.
It's gotten out of control. It's taking bigger and bigger names to make smaller and smaller films. I worry that important films without a big name attached won't get made at all.
Every now and then go away, have a little relaxation, for when you come back to your work your judgment will be surer. Go some distance away because then the work appears smaller and more of it can be taken in at a glance and a lack of harmony and proportion is more readily seen.
Capital was always the struggle. I always had these amazing visions. Had this amazing work ethic. Had this amazing work partner in my wife. But I was always struggling for capital. I owe a lot to local banks who were willing to take chances on Jo and I early in our career.
The leaders come up from the volunteers that do the work, and it's amazing because then they do these incredible things in their community that they never thought they had the power to make that happen.
Nothing will serve you better than a strong work ethic. Nothing. And it's something that you can't teach. You have to be thrown into it, where you're going to sink or swim. It's amazing how self-correcting and how clarifying a good, hard, shitty job can be. Because at the end of the day, any profession I've seen anybody in, when you peer behind the curtains of Oh, wouldn't that be a great job? Wow, what an amazing thing, a philanthropic endeavor! it really just comes down to It's a f**king grind.
What I think is so amazing about having everything, and feeling like I have everything, is that I don't really find happiness within materialistic things. Like, it's cool if I can buy myself a new car, and I think it's amazing for a week, but then the thrill is over, and I'm like, 'Oh, so I guess that wasn't really happiness.'
I just work a lot. I just remember recording in a hotel room in Malaysia. I work on planes, I work on buses. A lot of times when I'm backstage in the hotel or on the bus, I would have new ideas.
I kind of think I have the best job in America. I work with amazing people who challenge me daily. My job as a memeber of DoSomething.org is never boring. I'm constantly learning. And we laugh a lot.
I worked at Dollywood when I was a kid. Then I worked at Opryland. I worked at a variety of theater things in Atlanta. I was also in a choir for two years where we did 'Annie' and 'Joseph and the Amazing Technicolor Dreamcoat.'
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