A Quote by Dominic Monaghan
I could always flip between emotions and be available to suddenly do something new. I think it's a part of playing, and you hang onto it when you're a kid.
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There's no secret, but inspiration has to find you working. And that's one of the key things that I've always remembered. And if I put my mind to it tonight, I think I could take a guitar, and by 2 or 3 o'clock in the morning, something will have happened - I'll have had something to hang onto. But I think that's the key.
I grew up in a blue-collar neighborhood and was raised by a man who did not emote, ever... I always cry at movies, and when I was a kid, I would try to hide it. It wasn't something a kid in Oaklyn, N.J., did. So I have these weird hang-ups about emotions.
You hope that when you're playing someone possibly unsympathetic that you can bring them something redeeming, something people can hang onto.
I just think that sometimes we hang onto people or relationships long after they've ceased to be of any use to either of you. I'm always meeting new people, and my list of friends seems to change quite a bit.
I once witnessed more ardent emotions between men at an Elks' Rally in Pasadena than they could ever have felt for the type of woman available to an Elk.
When you become part of something, in some way you count. It could be a march; it could be a rally, even a brief one. You're part of something, and you suddenly realize you count. To count is very important.
I think there's something in collaboration - the fact that you can sit there and bounce ideas off of someone. It definitely matters who the person is, because certain people... The act of collaboration, where you can talk to someone, hang out, get ideas going, there is something in that. That's similar between everyone. But I think every individual collaborator is different, because they have different brains and emotions and ways of working, so it changes. Definitely.
Children almost always hang onto things tighter than their parents think they will.
Women who don't think they can get a neat guy hang onto losers because something is better than nothing.
Religion is not the biggest part of my life. I'm always playing baseball. But it's certainly a part of it, and having a faith in something. I've always worn a cross, and it's been a part of my game. It's always there with me.
When you're making a movie, you don't think about the outcome. That's something I'm grateful for: whenever I go and do a new project, I never think about the outcome. It's always just about the work at hand. That's the fun part. The other part is always something I've had a struggle with, which is promoting the film. I know it's important.
Every kid likes to be read to, or just even have an adult play with them, no matter if it's little girls with a tea party or boys playing in the dirt, it's all part of being a kid. It's something we all went through.
The neighbor's kid was bullying my kid. Crossing the line. Threatening him all the time. I went over there to tell him what was going on. I had on flip-flops. I wasn't there to fight. It was a misunderstanding between a couple of dudes where one thing led to another.
The idea of social performance, that we're always performing identities, is something I got fairly obsessed with. I think it's probably because I am a person who went to 15 different elementary and middle schools. I moved all the time, often having to run out in the middle of the night because my mom couldn't pay the bills. There were schools where I'd be the poor loser kid. There were schools where I'd suddenly be the smart kid or the cool kid, although that was very seldom.
I think representation is something that's absolutely needed. I felt like with K-pop being so hot, we could leverage that to potentially do something bigger with music in the States that people could latch onto.
I've tried to divide my time between the US and New Zealand, but it's difficult, and I suddenly realized that I like acting here in Los Angeles anyway. Because when you first come here; especially from New Zealand, you go, This is the ugliest, nastiest, grayest, smoggiest town in the world, and then your scale of beauty adjusts and suddenly you think, Oh, isn't it beautiful, not too much smog today!
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