A Quote by Dominic Monaghan
If I had a choice as to my perfect career, I would make a couple of films a year and then concentrate on natural history.
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I started young in my profession, in my second year of college. I had to make a career choice. College life is the best time when you can hang around and do all kinds of crazy stuff. Everything clicked so well that the films started coming in bunches.
I did a couple of films, I was very lucky at the beginning of my career... and then, I never had another job here for ten years probably and I moved to Europe.
My father ran London Films. He made films like 'The Red Shoes,' 'The Third Man.' And he had had a long career in the film business, which was bifurcated with a career in intelligence. He had to deal with gangsters, and sometimes he would take me with him. Also, I went to school with their children.
You want a career. You don't want to do a couple of good films and then your career is over.
But I do, like proper cooks, have an oven burn on my arm. I ran it under the tap for a couple of minutes but then the biscuits I'd made were cool enough to eat and I had to make a choice. Tiny scar and full belly it is then.
Rookie year you get out there and want to make as many plays as possible, then second year you want to be perfect, and then you kind of find a combination between the two - making a lot of plays and trying to be as perfect as possible.
If I could take back all the mistakes that I made throughout my career, I would have had a perfect career. I would have missed no shots. I would have made no turnovers. I would have went right instead of going left when I was supposed to, every game.
Staying interested in a match is a lot harder than many people think. Throughout my career, I've always had trouble in the early rounds of a tournament mainly because it was hard for me to psychologically get up until I got to the quarters or the semis. What happened a lot of times is that I would fall behind early, maybe even lose the first couple of sets in a five-set match and then begin to concentrate. Still it wasn't something I could control from the start.
I started to make some commercials, which was a way for me to finally make a living at last. But it was only really a couple of films in that it looked like a viable career option.
There were a lot of people dreaming about making films, and they would finance maybe 6 films a year. Because they were funded by the government, the films sort-of had to deal with serious social issues - and, as a result, nobody went to see those films.
No it was not the novelty, and it was not the danger and the adventure (although these had their charm). It was certainly not a passing whim (if it had been the hard work would have dispelled it in a very short time!). I think there were three chief reasons for my choice of career: First, a real love for, and interest in aviation Secondly, a determination to earn my own money and to make my career a paying proposition. Thirdly, a conviction that aviation was a profession of the future and therefore had room to welcome its new followers.
I had a period in my life where I decided that I would never be bored again and that, if I had any free time at all, I would make plans, and I would always be doing things. It actually was great for a year or so, but then I lost all of my friends.
At AFI, you make three cycle films your first year, and then you make a thesis film your second year, and I watched Darren Aronofsky's cycle films and was blown away - there was a young Lucy Liu, who was just part of that generation. And I just wanted to be part of that tradition.
When I was about 7 years old, I had been labeled dyslexic. I'd try to concentrate on what I was reading, then I'd get to the end of the page and have very little memory of anything I'd read. I would go blank, feel anxious, nervous, bored, frustrated, dumb. I would get angry. My legs would actually hurt when I was studying. My head ached. All through school and well into my career, I felt like I had a secret. When I'd go to a new school, I wouldn't want the other kids to know about my learning disability, but then I'd be sent off to remedial reading.
Instead of signing 10 films a year, I'd rather do a couple of films where I can give my best performance and am appreciated by audiences.
I thought I had to be perfect. I would often make choices I thought would make everyone else happy. I lived at a pace that was "good for my career," whether it was good for me or not. I have learned how important it is to check in with myself and listen, really listen.
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