A Quote by Dominic West

I'm not a great fan of green screen. It's not much fun for actors. It's great for directors and technical people and cameramen. — © Dominic West
I'm not a great fan of green screen. It's not much fun for actors. It's great for directors and technical people and cameramen.
It's a real honor to have my stories up on the big silver screen, at a cost of hundreds of millions of dollars. It's great fun flying out to L.A. for premieres and meeting all the actors and directors.
I'll say it, I love working with actors, I'm a fan of actors. They bring so much, and they can also break a movie, but when it works I give it all to the actors. I'll say it, I think that 'The Transporter' is great not because of my direction, it really is great because Jason Statham was great in it.
There are a lot of cameramen but not so many photographers. And a lot of cameramen attack from a technical approach without much imagination. They look, but they don't see.
The great difference between screen acting and theatre acting is that screen acting is about reacting - 75% of the time, great screen actors are great reactors.
In terms of directors, great actors make directors - Gary Oldman was great to work with, for me; Tim Roth, too. You work with Scorsese and Spielberg and they were wonderful directors, but for me, working with actor/directors is special.
I get to play a great character while working with great actors and great directors on a great show.
You could name the great stars of the silent screen who were finished; the great directors gone; the great title writers who were washed up. But remember this, as long as you live: the producers didn't lose a man. They all made the switch. That's where the great talent is.
I mean I think people prepared me for like a lot of green screen [in Oz the Great]. I didn't have a lot of green screen. They build most sets. When this castle was tangible, Emerald City was tangible, the forest, the woods was tangible, the cemetery, everything was there.
Acting with a green screen has been physically challenging. I look at the green screen and then I'll look somewhere else and everything looks red. It's a bizarre thing where green has an effect on my vision, but it's fun.
That really sets great directors apart from good directors: their ability to make you feel like you matter, even if your part is much smaller. That's one thing I found with most of the great directors I worked with: They all have that skill. Not everyone takes the time.
'Pair of Kings' is so much fun, literally. It is a very physical show with loads of stunts and green screen work, and you never know what great adventure is ahead of you! It's also a nice change in terms of being of similar ages to Doc Shaw and Mitchel Musso.
Television is a big platform for actors, and so many actors have made it to films from there. And for me, too, it has been a great transition from the small screen to the big screen.
A lot of directors in television have come up through the technical ranks. They have all the technical skills in the world. They're not all that familiar with actors.
I've never been conscious of having any real career plan, and I do not have a wish-list of actors, directors, screenwriters, or cameramen I'm hoping to work with. Life, I feel, has a way of leading us to the right situations and people, or at least to interesting ones.
I get nerdy and nervous around not only great actors, but great directors and DPs I love.
I have a suspicion, because if you look at the whole, all the [Star Wars ] movies, the backlog of every one of these movies, there's a lot of great stuff, but one might not be not as good with the writing in this or the acting in that or the directing in that, this has great actors, great directors, great script, and I really feel like we're gonna make the best one [movie with Young Han Solo].
This site uses cookies to ensure you get the best experience. More info...
Got it!