A Quote by Dominic West

I look ridiculous in a three-piece suit - I'm too fat. — © Dominic West
I look ridiculous in a three-piece suit - I'm too fat.
He asked why and I said, 'Because Gwyneth has a fat suit, my wife has a fat suit - I don't get a fat suit?' He looked at me and said, 'You mean you don't have one on?'
I remember the very first suit I bought. It was a three-piece denim suit with bell-bottoms.
For my prom, I was so fancy, I got t a suit tailored. I wanted a three-piece suit. I thought it would be cool to wear all black - black shirt, black tie, I figured it would be the coolest thing I've ever done. That was my first suit. I put the suit on two years later and it was so big on me and absurd and didn't fit. I still have it. I won't throw it out. It's too fun. It reminds me where I come from. Actually, I have an evolution of suits in my closet. It starts with that one and goes up to the suits that I get to have now.
Everyone should have a suit that's really well fitting - if a suit just doesn't fit, it looks ridiculous. It can purposely be too large or too small, if that's what you want, but it has to fit with your image and personal style.
I prefer a three-piece suit myself. Very sixties rock and roll. But they're not too quirky. Businessmen could wear them.
When I was a kid, I loved really loud things. My grandmother and I went to the Fulton Mall, and I bought a three-piece suit that was paisley. Paisley over the whole suit. I was 6 and thought it was great. My mother took a photo of me in it, sent it to my grandmother, and burned the suit.
V-necks are great because you can get a little fat and you still look kind of good - and I like to get fat sometimes, so it's nice. I like to fluctuate between the world of skinny and fat, so V-necks suit me well.
I was up at Big Sur with Christopher Reeve and Christine Lahti, doing this woman in a big fat-suit - Mrs. Bassett in Tennessee Williams' Summer And Smoke - and my husband was in the show too, playing Lahti's fiancée. Every night he'd be proposing to beautiful Christine Lahti, and I'd barrel onstage in this fat-suit. I hated it! But I did it, because by then I knew that that was my casting.
My skirt fell off on stage during a performance of Hairspray on Broadway, revealing my fat suit over my own natural fat suit. I turned to the audience and said, 'Now you know why I spent six years in a square.'
There's a different kind of comfort that comes from knowing that you are putting your best foot forward. It's called psychological comfort. Look at a picture of the Coney Island boardwalk in 1925. Men were in full-on three-piece suits, hats. They may have only had one suit. But they pressed it. They made it look as good as possible.
For some reason, they always gave me a fat suit in high-school productions. If there was a character who needed to be robust, they gave me a fat suit, and I put on a silly voice.
Ever since I was a little kid, I've felt comfortable in a suit. It all started when my mom bought me a three-piece Pierre Cardin suit. I wore that thing everywhere. Eventually I realized I was going to be the kid who got beat up in school, but I kept wearing it.
I have a three-piece suit. I’m an art collector. I have a funny accent. So I’m probably the killer.
In an ordinary suit and tie, I'd look like a little macho. I'd be ridiculous.
I had to wear a fat suit to play Mma Ramotswe in 'The No 1 Ladies' Detective Agency.' She's described as being like a small elephant, but she loves her body and size. When we were filming in Africa, it was 110F. It was torturous. I drank a lot of water and ate cucumbers all the time, and underneath the fat suit I shed pounds - I couldn't help it.
When you hear a good traditional gospel song it makes you wanna go buy a three piece suit
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