A Quote by Dominique Crenn
Obviously, growing up in France, I had foie gras probably when I was two years old. Writing about it and understanding what's going on in the world about it, I think I became more conscious and more thoughtful about things, for sure.
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I've always thought about gender, as someone who has been categorically "gender nonconforming" for my entire life, I was forced to think about it, but obviously I became more conscious of it as a social issue as I've gotten older. And as I've met more folks who are genderqueer or trans, it's been really enlightening to hear their stories, and it got me thinking about my own gender history.
I'd studied 16th century science and magic. I thought it was strange that people were interested in the same kinds of things my research was about. The more I thought about it, the more intriguing it became and pretty soon I was writing a novel about a reluctant witch and a 1500-year-old vampire.
Foie gras is sold as an expensive delicacy in some restaurants and shops. But no one pays a higher price for foie gras than the ducks and geese who are abused and killed to make it.
I was writing rap at 12 years old and began writing songs as a 20-year-old. I think I wrote my first song in the winter of 2008-2009, when I was in Buenos Aires. I was writing about growing up and my boys back home.
If I had to make a choice between only writing about sports or only writing about music, I would probably write about music. I'm not sure why that is. There seems to be more to write about with music, just because it's more of a splintered thing. There's more subgenres. With sports, it's more objective in a way.
I think [John Adams] developed a much deeper suspicion of France and the other European powers than he had earlier. He lost much if not all of the utopian thinking about international politics and diplomacy expressed in his Model Treaty of 1776 and became much more cynical about the world.
When I was 15 years old in the tenth grade, I heard Martin Luther King, Jr. Three years later, when I was 18, I met Dr. King and we became friends. Two years after that I became very involved in the civil rights movement. I was in college at the time. As I got more and more involved, I saw politics as a means of bringing about change
When I was 15 years old and in the tenth grade, I heard of Martin Luther King, Jr. Three years later, when I was 18, I met Dr. King and we became friends. Two years after that I became very involved in the civil rights movement. I was in college at that time. As I got more and more involved, I saw politics as a means of bringing about change.
I try to run so I can eat anything I want. I feel it's a luxury to be able to splurge on something like foie gras and not have to think about it.
When I'm writing for a book, it's much more reflective process. I have certain things that may not translate well to the stage, but, when they're on the page, people can really get into them. My first two books were aiming to be funnier, but the third was more about deep exploration. Things about being a parent and growing older that I thought would be perfect for a book.
People know more about baseball players contracts than they do about the policies that govern the fate of our childrens lives in twenty years. Think about it. People used to say, the whole time I was growing up, Do you want to bring a child into this world? Thats pretty dire.
People know more about baseball players' contracts than they do about the policies that govern the fate of our children's lives in twenty years. Think about it. People used to say, the whole time I was growing up, 'Do you want to bring a child into this world?' That's pretty dire.
I think writing is really about a journey of understanding. So you take something that seems very far away, and the more you write about it, the more you travel into it, and you see it from within.
I suppose you think that persons who are as old as your father and myself are always thinking about very grave things, but I know that we are meditating the same old themes that we did when we were ten years old, only we go more gravely about it.
I think there are basically two kinds of musicians: some are extroverted and some are introverted. I think extroverted musicians are more in the entertainer kind of camp, which is just as valid, but you're going to be more apt to make music that is of the moment - whereas if you're coming from a more introverted place, the music is going to end up being more about the past or more personal. It's not going to be about the people in the room, per se.
If there's a world here in a hundred years, it's going to be saved by tens of millions of little things. The powers-that-be can break up any big thing they want. They can corrupt it or co-opt it from the inside, or they can attack it from the outside. But what are they going to do about 10 million little things? They break up two of them, and three more like them spring up!
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