A Quote by Dominique de Villepin

Using the right of veto would be shooting the Americans in the back. — © Dominique de Villepin
Using the right of veto would be shooting the Americans in the back.
The [UN Security Council] P5 ought to be dissuaded from using their veto power, which can paralyze the United Nations. The country blocking action ought to have to explain its decision and propose an alternative solution. It has been suggested that a veto only becomes effective if the vetoing state has the support of two or three other permanent members.
If you're living a yielded life, and if you have the preaching and teaching gift, and you're yielding that to God on a continual basis, that's one of the signs that you're in the right place doing the right thing for the right reasons. If you're doing something in the kingdom, and you rarely feel that, that's a red flag. Something needs to be looked at. Are you using the right gift? Are you using it in the right way? For the right reasons? At the right time? In the right context? If I didn't feel it consistently, that would be quite troubling to me.
Shooting at Quentin Tarantino movie was like a masterclass in directing. Although I went back literally right into rehearsal, started shooting... while I was doing it I had to write my Grindhouse trailer and I added two days of shooting. My brother was producing Hostel and the Grindhouse trailer and I was like: "Gabe, just figure this out!"
It seems that American patriotism measures itself against an outcast group. The right Americans are the right Americans because they're not like the wrong Americans, who are not really Americans.
The veto is a President's Constitutional right, given to him by the drafters of the Constitution because they wanted it as a checkagainst irresponsible Congressional action. The veto forces Congress to take another look at legislation that has been passed. I think this is a responsible tool for a president of the United States, and I have sought to use it responsibly.
Shooting a fight is like shooting any other scene. You have to tell a story using a very specific choreography.
I think Barack Obama has the overall right strategy and he's been right to resist bringing in massive numbers of American troops. The Iraqis would love to have Americans die for Iraq and the Syrians would love to have Americans die for Syria.
You never have any idea where your movie's going to go when you're shooting - you're in this little bubble. Everything you care about is getting the next step right: getting the script right, finding the right actors, shooting it.
I'm not sure if I would be able to do set-pieces, but I'm good at penalties, either using power or technique on shooting it.
Our nation is built upon a history of immigration, dating back to our first pioneers, the Pilgrims. For more than three centuries, we have welcomed generations of immigrants to our melting pot of hyphenated America: British-Americans; Italian-Americans; Irish-Americans; Jewish-Americans; Mexican-Americans; Chinese-Americans; Indian-Americans.
When I was in Vietnam with Jane Fonda, I was shooting a farmer in a field - just a pastoral scene. And while I was shooting him, an explosion occurred right - he blew up right in my lens, so to speak. And he had stepped on a landmine.
I was at a Madonna show many, many years ago and I was in the sweet spot and she came out and I mean it was the best part of the show. And I was shooting, shooting, shooting, shooting. And I'm like, "God, I must have shot a hundred pictures have I not run out of film?" And I opened the back of my camera and there was no film in there. So that happened to me only once.
You never have any idea where your movie's going to go when you're shooting - you're in this little bubble. Everything you care about is getting the next step right: getting the script right, finding the right actors, shooting it. Then you spend half a year in a dark room editing your film, and you don't talk to anybody.
I thought that the United Nations is a creature of the five super-powers who were given veto powers. I don't like veto powers at all.
If you're not shooting in the right direction, it doesn't matter how well you're shooting.
Coming back to Guess is so natural for me; they're my family. I always love being back, and to be able to come home and be in Malibu across the street from my high school shooting this campaign is absolutely amazing and just feels like the right thing.
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