A Quote by Dominique Jackson
Growing up I was told, 'Stop acting like a girl. Don't stand like that, don't act like that, deepen your voice.' But for me, it came naturally.
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I'll tell you what autism is. In 99 percent of the cases, it's a brat who hasn't been told to cut the act out. That's what autism is. What do you mean they scream and they're silent? They don't have a father around to tell them, 'Don't act like a moron. You'll get nowhere in life. Stop acting like a putz. Straighten up. Act like a man. Don't sit there crying and screaming, idiot.'
Now, as I move through my fifties, I can be professional and domestic, creative and intellectual, patient and urgent. I have learned that we should never settle for someone else's definition of who we can be. Growing to this age, I realize, is kind of like feeling your voice deepen. It's still your voice, but it has more substance, and it sounds like it knows its own origins.
Here's an idea: eat like an adult.
Stop eating fast food, stop eating kid's cereal, knock it off with all the sweets and comfort foods, and ease up on the snacking. And don't act like you don't know this: eat more vegetables and fruits.
Really, how difficult is this? Stop with the whining. Stop with the excuses. Act like an adult and stop eating like a television commercial. Grow up.
In my stand up, I think I try to be less energetic because I feel embarrassed about how much enthusiasm I have. There's something about acting like I don't care, or if I act like I haven't spent enough time on it, it seems to go better. If I act like I'm really trying to sell it, it doesn't go as well.
Ive had many idols growing up. The inclination for idol worship comes naturally to me. Or it did, anyway. I think Ive gotten over it. It came as naturally to me as wanting to act.
I was new to acting on a stage in a narrative as opposed to acting on a stage as a stand-up. And like everything else it's just like comfort level. The first time I did stand-up I was at a place called the B3 in New York on Third and Avenue B and I not only didn't take the mic out of the stand, but I clutched the stand of the entire time.
I loved acting as a kid because I was kind of shy, so it brought me out of myself. Acting for kids is like playing house, you know? But growing up in Hollywood, it just made it seem possible. It wasn't like some idea of going to Hollywood; it was in my backyard. I lived two blocks from Grauman's Chinese Theatre growing up. It was what people did. It's an industry town. So it wasn't some far-off fantasy, it was like "Oh yeah, when you grow up, you do this because that's what people do here."
Like people coming up to me like, 'Nobody ever told you that you look like Lil Baby?' But I'll be like, nah. Or like, somebody told me that. I'll never just say, it's me.
I’d like to fight everybody who wants to make war on people. I’d like to fight bullies, actually. I’d like to stand up to the bullies in this world. I was actually mugged once in London, and I was completely defenseless. They came at me with a… I was held at knifepoint. And I felt so angry that I let them do it and I think I’d like to go back and say ‘Look, it’s okay’, and if they tried to stab me, I could just say ‘You can stop that now’.
I moved from acting to stand-up because castings are just about what you look like. It doesn't matter if you can act or not. In comedy, no one cares what you look like.
I woke up and I just saw all these things, like 'RIP Skai Jackson,' and I'm like, 'Why do people think I'm dead? Like, what happened? Where did this come from?' And then one of my fans told me it was some girl who started it. And for me, that's just like not funny at all.
Branding is everything. A young girl once came up to me and told me I could be famous because I looked just like Richard Branson!
When I read 'Stand By Me,' it was like, 'This is a look back at the same time period when I was growing up, and it was about kids, but it really felt like what it was like to have those powerful feelings of friendship at age 12.' That's what got to me.
I was not very strong growing up, and my uncle used to look at me, like, 'This kid is not growing up, he is growing tall but he can be broken like a banana.' The banana in Congo is called 'Dikembe.' So my uncle start calling me, 'Dikembe, Dikembe, look at you Dikembe, you cannot even stand up.' It took a long time for me to walk.
As a teen, I had no idea what the self was. Changing skin like a chameleon came naturally to me, but the self felt like a plastic chair in an airport where I'd have to sit and wait for the next radical character to define who I'd be that season. Acting grabbed me by the gut.
Women are mad at me. A girl came up to me on the street and she almost smacked me. Like, ‘How could you? How could you let a girl like that go?’ I feel like I want to give people hugs, they seem so sad. Rachel and I should be the ones getting hugs! Instead, we’re consoling everybody else.
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