A Quote by Dominique Pire
The unknown winner of an unknown city, located in an unknown country, is Man.
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It's fear of the unknown. The unknown is what it is. And to be frightened of it is what sends everybody scurrying around chasing dreams, illusions, wars, peace, love, hate, all that-it's all illusion. Unknown is what it is. Accept that it's unknown and it's plain sailing. Everything is unknown-then you're ahead of the game. That's what it is. Right?
Several large, artificial constructions are approaching us, ZORAC announced after a short pause. The designs are not familiar, but they are obviously the products of intelligence. Implications: we have been intercepted deliberately by a means unknown, for a purpose unknown, and transferred to a place unknown by a form of intelligence unknown. Apart from the unknowns, everything is obvious.
The treasury of America lies in those ambitions, those energies, that cannot be restricted to a special favored class. It depends upon the inventions of unknown men, upon the originations of unknown men, upon the ambitions of unknown men. Every country is renewed out of the ranks of the unknown, not out of the ranks of those already famous and powerful and in control.
Only the unknown frightens men. But once a man has faced the unknown, that terror becomes the known.
'Gonzo' means taking an unknown thing to an unknown place for a known purpose. But sometimes we're lost in an unknown place for no known purpose.
She feared the unknown as we all do, and her ignorance made the unknown infinitely vast.
The reason why Christ is unknown today is because His Mother is unknown.
Since the future is unknown, in every step forward we walk to the unknown!
Artists live in unknown spaces and give themselves over to following something unknown.
The unknown was my compass. The unknown was my encyclopedia. The unnamed was my science and progress.
What is hid is unknown: for what is unknown there is no desire.
[Lat., Quod latet ignotum est; ignoti nulla cupido.]
I am interested in the unknown, and the only path to the unknown is through breaking barriers, an often painful process.
Content is a word unknown to life; it is also a word unknown to man.
We have an unknown distance yet to run, an unknown river to explore.
The present has its élan because it is always on the edge of the unknown and one misunderstands the past unless one remembers that this unknown was once part of its nature.
It is the job of artists to open doors and invite in prophesies, the unknown, the unfamiliar; it’s where their work comes from, although its arrival signals the beginning of the long disciplined process of making it their own. Scientists too, as J. Robert Oppenheimer once remarked, ‘live always at the ‘edge of mystery’—the boundary of the unknown.’ But they transform the unknown into the known, haul it in like fishermen; artists get you out into that dark sea.
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