A Quote by Domino Kirke
Growing up, I feel like my character was so much about being a problem-solver and a truth-seeker and always needing to get to the bottom of everything.
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I always say that, like a scientist or anyone, you always want to be the problem-solver. You feel like, if you solve the greatest mystery or the greatest problem, then that makes you brilliant. It's the same thing with an actress. You want to be able to really tackle a character and make it a fully-dimensional human being who is complicated, funny and all the things that a person could be.
I like to consider myself a problem solver. I don't like to spend a lot of time talking about the problem, stressing out or being dramatic about it. I like to try and figure out how I can fix it.
I feel like since I've had a child I've become a better problem-solver, because you just have to! I have to be positive for him for sure, but it's not even about thinking about it. It's just how to make this work, and it can get pretty nutty, but it's fun too!
To me, it's simple: if you've got the time, use it to get ready. What else could you possibly have to do that's more important? Yes, maybe you'll learn how to do a few things you'll never wind up actually needing to do, but that's a much better problem to have than needing to do something and having no clue where to start.
Bangalore now wants a person who doesn't only play politics. Bangalore needs a problem solver, and I am a problem solver. I will be the bridge between Bangalore and the Centre.
For me, the best characters are the ones that feel fully formed inside and out, so I try to have a very clear vision of exactly what they would wear, top to bottom, who they are, what their backstory is, what their family situation is, who are their friends, just creating as much of a three-dimensional character [as possible]. Because I think you could do a very broad character, but as long as there's some emotional truth to them you can get away with really crazy things.
I always feel like my writing is consistently influenced by everything I watched and listened to growing up, so it's just this crazy collage of everything, you know.
I've always been one to want to memorize everything and just be confident that I know all of the lines, but that changed. After college, I realized it's not as much about being off-book as it is about completely understanding the character and, more so, getting into the mind of your character.
As a teenager growing up in Europe, I embraced the romantic ideal. For me, I had to give up the ideal that one person would be there for everything. Once you give up that ideal, then you begin to accept the person that you are with - the person who won't be able to give you everything and who won't be able to know exactly what you want and feel without you even needing to say it.
I just feel like every kid is growing up too fast and they're seeing too much. Everything is about sex, and that's fine for me. I'm not saying I don't like it. But I don't think it should be everywhere, where kids are exposed to everything sexual. Because they have to have some innocence; there's just no innocence left.
I think being a producer makes you a problem solver, so you kind of go, "Well there's a problem. What do we do? How do we solve it?"
It's one thing to never accomplish anything. You start from the bottom, you remain at the bottom, and all you know is the bottom. When you start at the bottom and you get to the top, and you feel the success and the notoriety and the recognition from being the champion, and you go back to losing, that's a tough place to be in.
I like flawed characters very much. A lot of times I get asked to do parts that are kind of small but key - three-scene roles that are three kick-ass scenes. Growing up, watching as many movies as I did, I was always into character actors like that.
When you go for something because you're curious about it, you get psyched up about the chance of getting into it. It's like an actor meets a role, and you slip into that body and see what happens, to experience certain conditions, to adopt a certain character. Even shooting is a study of the character. I think both the character and the actor, and eventually the filmmaker - myself - are finding a way to accept their environment and being accepted and feel comfortable of themselves.
Practice meditation. Become a seeker. Walk the path of the seeker. You will get the best of everything the world has to offer.
The problem is when you become so well known that everyone is watching you and you don't have an opportunity to observe. It's something that I don't want to lose. I like being unnoticed when I don't feel like being noticed. It's not like I crave attention all the time. Something that I've always loved and appreciated is the chance to see something about someone's character, observe and kind of retain it, and study it without feeling like I'm studying it. I have an intense curiosity. And it would be a shame if I lose the ability to do that.
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