A Quote by Domino Kirke
Listeners can expect to feel very relaxed during the listening experience of 'Beyond Waves.' The songs are very lyrical and extremely intimate, so I feel like you're going to need to be in a quiet room when you hear them, at least the first time.
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The Internet is a very intimate entertainment experience. I'm in my own apartment talking to people, and I want them to feel like they're with me in my apartment. So if I'm listening to them and taking ideas from them and being honest with how I'm feeling, it resonates even more that we're having a real, actual conversation.
A voice is very intimate. It's something of your own. So there's always this fear, because you feel naked. There's a fear of not reaching up to expectations. As you become more famous, people come and expect to hear something extraordinary, so you don't want to disappoint them. I feel this sense of responsibility.
That's very hard because there's three of them that mean a LOT to me equally. 'Lissie's Heart Murmur' was one of the first songs that we ever wrote - it was one of the first songs, at the very very very beginning of our band and I've always wanted to see and hear that song recorded and turned into something and it finally was and is!
I feel like I walk a very fine line between wanting someone to be open and vulnerable and honest with me and the listeners, but not wanting anyone to ever feel like I'm exploiting them.
I think for a female celebrity the Samba is one of the hardest dances to feel relaxed, to feel kind of sexy and running around the room doing the technique of a very hard dance.
In some movies you feel like you're a very small part of a huge machine. Whereas in the theater you can have a very small part, but you can still feel the weight and the gravity of it. Given the nature of theater, it's a more concentrated and quiet experience
In some movies you feel like you're a very small part of a huge machine. Whereas in the theater you can have a very small part, but you can still feel the weight and the gravity of it. Given the nature of theater, it's a more concentrated and quiet experience.
Very few of us have our special listening room where we close off the rest of the world and only hear the music. As musicians or as listeners, we're generally interacting with music wherever we are, whether we're on a train or on the street.
I still get stage fright every time. I also feel very, very sleepy about a minute before we go on. Like I feel like I'm going to fall asleep. I can't explain it. It's sort of like, "Where's the energy going to come from to play this show?" Then all of a sudden you step up and there it is, it's like it's waiting for you.
I was terribly sure trees and flowers were the same as birds or people. That they thought things and talked among themselves. And we could hear them if we really tried. It was just a matter of emptying your head of all other sounds. Being very quiet and listening very hard. Sometimes I still believe that. But one can never get quiet enough.
No matter how you feel you have to act like you are very popular with yourself; very relaxed and purposeful very unconfused and not like you are walking through the sunshine singing in chains.
I think [game music] is something that should last with the player. It's interesting because it can't just be some random music, but something that can make its way into the player's heart. In that sense, this not only applies to game music, but I feel very strongly about composing songs that will leave a lasting impressionWhat I must not forget is that it must be entertaining to those who are listening. I don't think there's much else to it, to be honest. I don't do anything too audacious, so as long as the listeners like it, or feel that it's a really great song, then I've done my job.
I don't want to recover from writing this book [The Onion]. I feel very poised. I feel like I'm with my mother for the first time ever. I feel like I've confronted her, and the confrontation goes on.
We will be able to travel backward or forward in time and see what has been and what is going to be, as well as experience the glorious wonderful present! We will see, hear, feel and experience the very events of the past, just as they happened.
It's so funny because I listen to songs that I recorded that I didn't really know anything about at the time. Later on I'm starting to feel the songs. Sing them first, feel them later.
I usually need a lot of time to be completely alone with the particular piece, the composer, and the instrument. I also prefer a very quiet atmosphere, and I usually choose pieces that are very close to my personality, my heart. I think the audience can feel it.
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