A Quote by Don Adams

Sometimes I wonder how I got into comedy at all. — © Don Adams
Sometimes I wonder how I got into comedy at all.
When I see my work in a gallery I often wonder how I got to this point. Sometimes the process of making the work feels like a blur, and I look at the work and wonder how I actually made it.
When you come to Parliament on your first day, you wonder how you ever got here. After that, you wonder how the other 263 members got here.
I don't know how you can do comedy once every two weeks. Ever since I started, if I'm off for three days, I got to learn how to do comedy again.
Sometimes I wonder how my filmmaking would have been affected by film school but in the end I'm glad I got to figure it out on my own.
You got to have the killer instinct. If you do not have it, forget about basketball and go into social psychology or something. If you sometimes wonder if you've got it, you ain't got it. No pussycats, please.
Last night I didn't realize I said "abortion" in my stand up comedy act instead of "circumcision." No wonder I got blank stares at "rabbi got faint at sight of blood."
I think there's just too much comedy. Sometimes I get requests from people: 'How do I get into comedy?' And I always say that what we need is more people in health care. And less people in comedy.
People get sick and sometimes they get better and sometimes they don't. And it doesn't matter if the sickness is cancer or if it's depression. Sometimes the drugs work and sometimes they don't. Sometimes the drugs work for a while and then they stop. Sometimes the alternative stuff works and sometimes it doesn't. And sometimes you wonder if no outside interference makes any difference at all; if an illness is like a storm, if it simply has to run its course and, at the end of it, depending on how robust you are, you will be alive. Or you will be dead.
I write about heroes all the time, and I'm struck by how much of what fills us with wonder in the man-made world was the brainchild of a monster. I mean, slaves built most of the ancient wonders, our city skylines are dominated by the product of sometimes very ruthless capitalist ideals. There's a horrifying thought that I often wonder, which is, are monsters sometimes necessary?
Sometimes I wonder how normal normal people are, and I wonder that most in the grocery store.
I was doing stand up comedy when I was 11, that's how I got started; not because I wanted to do comedy, but because we were broke, living in Echo Park in Downtown Los Angeles, from 1986, I saw the Rodney King riots; my parents didn't really work. But I wanted a new backpack, that's how I got into this business - I wanted a new backpack.
My first time on stage was the class "graduation" at the Comedy Store. It was awesome. Everything got huge laughs and I just thought I knew how to do comedy.
I remember when I first came to Washington. For the first six months you wonder how the hell you ever got here. For the next six months you wonder how the hell the rest of them ever got here.
And a lot of poetry is putting yourself back into the state of wonder that you have before things when you're a child. It's not only a joyous wonder, it's sometimes a grief stricken wonder.
As a woman, she [Penelope Cruz] obviously has changed as she has become an adult. But, as an actress, I actually might say that she has not changed that much. And she has something great, especially in comedy, and she hasn't been exploited as much as she could be in comedy, but particularly in that mix between comedy and drama. She's got a very special quality about her. You can place her in very extreme situations, especially very painful situations, in terms of how her character interprets it. And sometimes, the deeper and more human that pain is, the better she is at it.
My wife says I have happy delusions. I'm delusional that way. I just say, 'This is how it's got to be, and it's got to be.' I don't take no. I just don't like no. Sometimes it works and sometimes it doesn't. That's just how I am.
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