A Quote by Don Berliner

These abnormal aspects included the shapes of UFOs and their behavior. Most of the UFOs seen in the daytime were said to have had simple geometric shapes-discs, ovals, spheres, cylinders-and surfaces that looked like metal. Such shapes are not only nonexistent among known aircraft, but contrary to all known theories of flight, in most cases offering control and performance disadvantages rather than advantages.
In those same decades, most UFO sightings were made in the daytime and frequently at close range, when shapes and surface features could be distinguished, thus making positive identification of normal sights easier and the descriptions of unusual sights more detailed. When all normal explanations had been eliminated, the witnesses could concentrate on those aspects of the experience which were most abnormal.
They came up with a table of pictures of all the shapes of UFOs that have ever been recorded -about fifty ...The study of UFOs may reveal some new forms of energy to us,or at least bring us closer to a solution.
Geometric shapes hold an energy pattern, and scientists did some experiments which say certain geometric shapes can affect matter around them. It's simply because when a human looks at a shape, they instantly receive energy from their brain.
Patterns of these UFOs appearance and behavior suggest a limited range of sizes and shapes of unidentified craft, despite the often-desperate efforts on the part of the American and other governments to discount them as nothing more substantial than mistakes made by naïve individuals. Their performance, observed repeatedly by expert witnesses, remains as far off the scale today as it was in the 1940s.
I started to draw desert islands. They were just rough, shapes in the middle of the page. Then I began drawing shapes within those shapes and I was amazed how quickly the islands got better. It took off from there.
I got to draw shapes. I really like to draw funky, geometric shapes. And I got to use just different fonts and make a joke of how feminine it was, but it didn't even have people in it. To me, it was so exciting and interesting to do that for a while.
Crime shapes how we think about the world; it shapes social decisions that we make; it shapes our base of knowledge. But we don't talk about it intelligently.
I enjoy the beauty of the bubble, they're fluid and yet they have these geometric shapes so they do surprising things - two spheres become a single sphere - it's what bubbles do.
Abstraction didn't have to be limited to a kind of rectilinear geometry or even a simple curve geometry. It could have a geometry that had a narrative impact. In other words, you could tell a story with the shapes. It wouldn't be a literal story, but the shapes and the interaction of the shapes and colors would give you a narrative sense. You could have a sense of an abstract piece flowing along and being part of an action or activity. That sort of turned me on.
As the most social apes, we inhabit a mirror-world in which every important relationship, whether with spouse, friend or child, shapes the brain, which in turn shapes our relationships.
And while I stood there I saw more than I can tell and I understood more than I saw; for I was seeing in a sacred manner the shapes of all things in the spirit, and the shape of all shapes as they must live together like one being.
Language both reflects and shapes society. Culture shapes language and then language shapes culture. Little wonder that the words we use to talk to each other, and about each other, are the most important words in our language: they tell us who I am, they tell us who you are, they tell us who 'they' are.
TV shapes thought as surely as language shapes it.
Shapes that contain no inner components of positive/negative relationships will function better with other shapes of the same nature.
The one test of the really weird (story) is simply this--whether or not there be excited in the reader a profound sense of dread, and of contact with unknown spheres and powers; a subtle attitude of awed listening, as if for the beating of black wings or the scratching of outside shapes and entities on the known universe's utmost rim.
The chemist, whose science is immediately concerned with the combinations of atoms, has rarely found it necessary to discuss their shapes, and gives them no particular forms in his diagrams. That does not mean that the shapes are unimportant, but rather that the older methods could not define them.
This site uses cookies to ensure you get the best experience. More info...
Got it!