A Quote by Don Cheadle
I think if you were to look at my resume in total you would see a lot of things that are kind of all over the map.
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If I don't have something to do, I'm not the kind of person who can sit on a beach on holiday. I've got to go and check things out and see things and look at things, and have some kind of itinerary in my mind. I think that a lot of people who are, in some ways, successful are kind of like that.
I made a lot of friends over the years and I would always look at what they were eating. All of them were skinny. I would think that I would like to eat like that.
A map of Trump country would look a lot like a map of the various regions and counties from which young people with the best opportunities have consistently chosen to flee.
My last two records that I made were both quite pointed in one direction and I think I do my best stuff when it's all over the map, when there's a couple traditional things, a couple pretty rocking things.
I think I knew how frightened people were [when Donald Trump was elected], and I think I knew that people were worried about their future. I don't think I realized that they would be willing to risk kind of a 1920s Germany in order to blow it all up, not realizing that we've accomplished a lot as Americans, and we want to keep the good things and revolutionize the new things.
One of the things that happened that I think is noteworthy, my parents were pretty tolerant people given their position in society. They were pretty interesting about being interesting able to look at their children and think oh my children know things and they gave us a lot of sense of our own agency, and that may be a kind of a ruling class trait.
There was this kind of wackiness that was really embraced and put on a pedestal. It was before the millennium. We were envisioning a future that was mostly idealistic. I think that came crashing down a little bit in 9/11, or a lot. There is something about Portland that does seem to still exist in this total idealistic world and total idealistic mind frame, and I think that's what Dream of the '90s is talking about.
I've been so fortunate throughout my career, when I was doing theater, more theater than anything else, and when I was doing films that I got a chance just to do a broad range of things. In fact, a lot of my choices that I made were about that very thing. Every project that I had an opportunity to do or chose to do, I wanted it to be different from the last thing I did, and I think that's why I have a good, you know, I had kind of a diverse kind of résumé. I'm really - it's what I set out to do as an actor originally.
I started taping my dad's auditions when I was 11, when he was auditioning actors for one of his movies. I would see, over and over again, that there wasn't just one actor for the role. It was really clear that there were a lot of people who could play a character really well, and it would always come down to something kind of weird and non-obvious as to why a person was cast. If you're not right, you're not right, but that's okay.
When I do an action thing, it speaks louder than the things that I've done that are dramatic and comedy. Actually, if you look at my resume, I have just as much comedic things as dramas, and I have far less action things than all of the other things, but I'm kind of defined as an action person.
Yeah, we have a lot of cringey moments, but that's what makes it authentic. I think for it not to be cringey, me and Kate would have to go into the edit suite, but then it would look over produced. We see it at the same time as everyone else.
I think the '80s created me, in a way, when I look back on that time, but I don't necessarily think that a lot of my choices, and a lot of things that I did, and a lot of things that happened to me - or I let happen to me - were about that decade.
But one thing that's constant is we've always appreciated fans. They put us on the map and they keep us on the map. I always put myself in their position. If I loved someone and had their posters all over my wall and met them and they were rude it would be very hurtful.
It's a social media time, where you have YouTube and everything it's kind of like you see my career grow up on camera. But a lot of the things that you would see from artists would be behind the scenes that nobody would know about before, now it's all on display.
I would say, we have had a lot of problems with radical Islamic terrorism, that's what I'd say. We have had a lot of problems where you look at San Bernardino, you look at Orlando, you look at the World Trade Center, you look at so many different things. You look at what happened to the priest over the weekend in Paris, where his throat was cut, 85-year-old, beloved Catholic priest. You look at what happened in Nice, France.
When you talk about the mental health problems, when people come back from war and combat and they see things that maybe a lot of the folks in this room have seen many times over and you're strong and you can handle it. But a lot of people can't handle it. And they see horror stories. They see events that you couldn't see in a movie, nobody would believe it.
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