A Quote by Don Cheadle

I was about to write that in the future I would chose my words more carefully but I'm sure I won't. — © Don Cheadle
I was about to write that in the future I would chose my words more carefully but I'm sure I won't.
Living rationally and authentically does not mean that you map out your future by thinking carefully about what it would be like if you chose one path versus another path and then choosing on that basis.
I have to chose my words carefully.
There are only two kinds of stories in the world: those about which I do not care to write as many as 600 words, and those about which I would like to write many more than 600 words. But there is nothing about which I would like to write exactly 600 words.
If I had to make a choice between only writing about sports or only writing about music, I would probably write about music. I'm not sure why that is. There seems to be more to write about with music, just because it's more of a splintered thing. There's more subgenres. With sports, it's more objective in a way.
My musical instrument is Hebrew and, to me, this is the most important fact about my writing. I write in words. I don write in sounds or in shapes or in flavors. I write in words. And my words are Hebrew words.
Let us remember that the central reality must be sought in the writer's work: it is what the writer chose to write, or was compelled to write, that finally matters. And certainly Mishima's carefully premeditated death is part of his work.
I don't write about anything I don't want to write about. I like to think I could write about anything pretty much that I chose to. I have been asked to write songs about specific things, and I've always been able to come up with the goods.
I consider what I write to be literature. I choose the words carefully.
One has to work very carefully with what is in between the words. What is not said. Which is measure, which is rhythm and so on. So, it is what you don't write that frequently gives what you do write its power.
Before I was attacked, I would write about the future - just goals, lists and plans. I'd scribble without depth or substance about the things I wanted to do with my life, whether short or long-term, and how I thought my future would be: a successful career in TV and modelling, marriage, a family.
Richard Dawkins says he can't be sure God doesn't exist. Well, you know what I do when I'm not sure about something? I go on a big crusade about it and write a bunch of books on the subject. No, wait, that sounds more like what someone with a mental disorder would do. That's one of the crazy things about lots of atheists: They're whole movement is supposed to be about being logical and reasonable, yet they tend to rail against religion is a very mindless way that doesn't seem to serve any more purpose than a tantrum. Perhaps I just don't understand their strong faith in not having faith.
You need a place where you can explain yourself. You can write as much or as little as you would like, but the words will be all yours. You can create the context. You can make sure that all issues are addressed. You can take issue with individuals or the media as a whole. Your words, your message.
It is very humbling to receive the Fields Medal. The words of a Fields Medallist carry a lot of weight within mathematics - for instance, in framing future directions of research - which means that I have to watch what I say more carefully now!
I have a really good idea of who my readers are and always write with a sensitivity to my audience. I use the F word when necessary, but there are words I won't use, mainly because I don't like them. I don't write about body parts when I write about sex. It's not about the physiological, it's more important for teens to read about the emotional aspects. I do think there are times when self-censorship is important.
All writers write about themselves, just as the old storytellers chose to tell stories that spoke to and about themselves. They call it the world, but it is themselves they portray. The world of which they write is like a mirror that reflects the inside of their hearts, often more truly than they know.
I would stay [in the newsroom] until 3 am "in case something happened." But I mostly had nothing to do between 1 and 3 am so I used that time to write. And I chose to write about food and wine. Along the way I carved out a role for myself.
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