A Quote by Don Cheadle
For me, it's always just been about finding material that I think is creative and interesting and fun and something that can expand me and that I can hopefully do something with.
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I'm drawn to subversive material and material that speaks to communities and people who tend to be marginalized, and telling those stories in ways that subvert expectations. That's always been fun for me to play and always been fun for me to write.
I meet with Satya [Nadella] what probably amounts to four or five times a year - either to brainstorm something or just as a shareholder, we'll sit down and chat. That's always quite helpful for me and hopefully him in terms of thinking things through. I still have a number of friends and colleagues who occasionally want to brainstorm or chat about something, and that's always fun.
I think to simply make fun of something isn't particularly interesting. I try to not just do a parody of something or belittle something or disparage something.
I think doing something creative is the most important thing to me, and I think it's probably just good for the soul for anyone, whatever it is. You don't have to be a film director - you can do gardening or something - but I think everyone needs to create something.
If something sucks, I've always been completely vocal about it, and I've been punished many, many times because of that. But I don't think I'd be in the spot I'm in right now if I wasn't me. I've always just been me.
I think you always want to be open to things... it's just the matter of finding something I believe in, finding a character I believe in, and I think that's the way it should always be. I'm looking for things that excite me.
My favourite stuff is visual, and I always want to work with visual artwork. I think it depends on the person, but for me, photographs of an image of something interesting or inspiring is worth a lot more than words to me. I think every concept I've come up with and turned into films or that will be hopefully become a film comes from images first.
To me, having 'material' for an essay means not only having something to write about but also having something interesting and original to say about whatever that might be.
You're always choosing the start point and the end point. And almost by definition, the most interesting period is where something happens, as a result of which something is different at the end. And so to me, the idea that you know everything about a character at the beginning is sort of ridiculous. Something has to be revealed. I like it when the deeper you go with the character, the more you see the layers start to peel away. It's more challenging to me, but it's also just interesting. Those are the things I like to watch. I like to watch the evolutions of something.
I build my stories character-first, and so whether it's a monster or a ghost or a serial killer, the fear of something dark interrupting life has just always been something that matters to me as a storyteller, or what I keep finding myself drawn back to.
I just always loved mythology, ever since I was a kid. Greek mythology was something I remember learning about in fourth grade, and Egypt, too, and something about both those things just clicked with me. I just thought they both were so beautiful and interesting to learn about.
When I'm on the court, I feel at peace, really. It feels like my home. I'm always thinking of something creative to do, like trick shots or something like that. It's just something about the basketball court that touches me; it makes me feel like nothing is wrong on the court.
You're always looking for something in life that's going to be a new challenge or something that's going to bring something different to ask of you. Hopefully I can just find projects, whatever they might be, that inspire me to do some good work.
I think modeling is interesting, it's obviously nice to take on a character and go through the process. I'm very lucky that I've been able to do that but I think the challenges that come with the responsibility of art directing something is something that appeals to me. I've done it before in collaboration with other people but it's the first time someone's literally handed it over and been like, "What do you want?" It was really fun to kind of dream up a concept and then execute it with all my friends.
Wherever you are in the world, there's always something about the Australian light. There's something about the sharpness of it, something about the clarity of it, something about the colours of Australia. And hopefully, something optimistic about Australian painting too.
I think finding a way to relate material to yourself can be useful to some people but acting for me is just being really good at make-pretend and lying. I've always been a great liar.
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