A Quote by Don DeLillo
Fame and secrecy are the high and low ends of the same fascination.
Related Quotes
It is safer to try to understand the low in the light of the high than the high in the light of the low. In doing the latter one necessarily distorts the high, whereas in doing the former one does not deprive the low of the freedom to reveal itself as fully as what it is.
They say for every high high there must be a low low low low low
The best poker game is seven-card stud, high-low splits. I mean, it's the best if you don't have to declare high or low, and can win it all with a low straight.
Fame can be a double-edged sword, and you have to take the bad with the good. The highs are incredibly high, and the lows can be incredibly low.
There's the complex categorization of low warmth/high competence. This is the hostile stereotype of Asian Americans by white America, of Jews in Europe, of Indo-Pakistanis in East Africa, of Lebanese in West Africa, of ethnic Chinese in Indonesia, and of the rich by the poor most everywhere. It's the same low-high derogation: They're cold, greedy, clannish - -but, dang, they're sure good at making money and you should go to one who is a doctor if you're seriously sick.
Buy low and sell high. It's pretty simple. The problem is knowing what's low and what's high.
If you aim for only wealth, beauty, fame, & power, you aim too low. Humility, gentleness, gratitude, & service is aiming high.
We need to do more to help the men and women across the country who are working hard but still struggling to make ends meet due to low wages and high healthcare costs.
There's a panic, a rush, to this 'achievement' of fame. There's also the ambivalence of fame: the love of it and the hatred of it. We sometimes hate the famous while, at the same time, straining to achieve fame oneself.
And if you have high cholesterol, you would feel the same as if you had low cholesterol because there are no side effects, no symptoms of having high cholesterol.
If secrecy is made out of the same stuff that the rest of the world is made out of, then it's fundamentally visible, which means that secrecy can only fail in the first instance, in the sense that you cannot make something disappear.
Take one story, viewed from two different angles. It is the same day, the same moment, but one angle ends happily... and the other ends badly.
The Atomic Age was born in secrecy, and for two decades after Hiroshima, the high priests of the cult of the atom concealed vital information about the risks to human health posed by radiation. Dr. Alice Stewart, an audacious and insightful medical researcher, was one of the first experts to alert the world to the dangers of low-level radiation.
Averages are useful because many traits, behaviors, and outcomes are distributed in a bell-shaped curve, with most results clustered around the middle and a much smaller group of outliers at the high and low ends.
The whole question of pornography seems to me a question of secrecy. Without secrecy there would be no pornography. But secrecy and modesty are two utterly different things. Secrecy has always an element of fear in it, amounting very often to hate. Modesty is gentle and reserved. Today, modesty is thrown to the winds, even in the presence of the grey guardians. But secrecy is hugged, being a vice in itself. And the attitude of the grey ones is: Dear young ladies, you may abandon all modesty, so long as you hug your dirty little secret.
Intellectual culture seems to separate high art from low art. Low art is horror or pornography or anything that has a physical component to it and engages the reader on a visceral level and evokes a strong sympathetic reaction. High art is people driving in Volvos and talking a lot. I just don't want to keep those things separate. I think you can use visceral physical experiences to illustrate larger ideas, whether they're emotional or spiritual. I'm trying to not exclude high and low art or separate them.
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