A Quote by Don DeLillo
Mirrors and images. Or sex and love. These are two separate systems that we miserably try to link.
Related Quotes
You have to understand that under One Country, Two Systems, we are a separate customs authority in the same way we are a separate member of the World Trade Organization.
When you stand between two mirrors you're spread out among the images, your whole soul is pulled out thin, and somewhere in the distant images a dark part of you might get out and come looking for you, if you aren't careful.
Every film starts with two or three images. Then I try to edit these images.
In the Arab world, there is no link between the cultural habits of peoples and the ways of thinking and creating of modern intellectuals. They are two separate worlds.
I have no two separate moral standards for the sex.
Love is mistranslated into sex, because sex is not an expression of love. Sex is an expression of physical activity. It can be an expression of love between two people in love, but it's a carnal expression.
Women are more evolved biologically and emotionally, that's well known
and it's obvious. But they confuse sex and the spirit; they don't
separate. Men, as you know, always separate: they separate
their human and dog natures.
Images have become our true sex objects. It is this promiscuity and the ubiquity of images, this viral contamination of images which are the fatal characteristics of our culture.
Love is the creative refinement of sex energy. And so, when love reaches perfection, the absence of sex automatically follows. A life of love, an abstinence from physical pleasures is called brahmacharya, and anyone who wishes to be free from sex must develop his capacity to love. Freedom from sex cannot be achieved through supersession. Liberation from sex is only possible through love.
Sex ought to be a wholly satisfying link between two affectionate people from which they emerge unanxious, rewarded, and ready for more.
One of the reasons I work serially, but also one of the reasons that I try to claim space in painting, is I'm desperately interested in asking: How can a group of images, or even two images, have meaning together?
In erotic love, two people who were separate become one. In motherly love, two people who were one become separate. The mother must not only tolerate, she must wish and support the child's separation.
When I do only images, people don't connect with the images because the images are too weird to understand. But when I explain the weird images with straight words, then all of a sudden there is a tension between the two that the audience wants to see.
I have always considered my career self and my personal self as two different and separate people. There's a Jayne Mansfield at home, a wife and devoted mother, and there's Jayne the sex symbol, which is my career. I have always kept them completely apart and separate.
I'd love to try comedy, which I've never actually done. I could fail miserably at it, but I'd have fun working it out.
In your thirties, you're much more comfortable with sex. First of all, sex is something you've done more. You know you can have sex just to have sex; you can have sex with friends; you can have sex with people you love; you can have sex with people you don't like, but the sex is good. And you can joke about sex much more.
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