A Quote by Don DeLillo

In my experience, writing a novel tends to create its own structure, its own demands, its own language, its own ending. — © Don DeLillo
In my experience, writing a novel tends to create its own structure, its own demands, its own language, its own ending.
In my experience, writing a novel tends to create its own structure, its own demands, its own language, its own ending. So for much of the period in which I'm writing, I'm waiting to understand what's going to happen next, and how and where it's going to happen. In some cases, fairly early in the process, I do know how a book will end. But most of the time, not at all, and in this particular case, many questions are still unanswered, even though I've been working for months.
As the base rhetorician uses language to increase his own power, to produce converts to his own cause, and to create loyal followers of his own person - so the noble rhetorician uses language to wean men away from their inclination to depend on authority, to encourage them to think and speak clearly, and to teach them to be their own masters.
Sure there are people who do everything "I do my own beats, my own lyrics, my own mixing, my own mastering, my own art, my own booking, my own managing, my own merch" it's like... ya that sucks, it can't be very good for you, and might be why you aren't getting ahead because you really need to focus on the music where others should be focusing on those other aspects.
It's my contention that each book creates its own structure and its own length. I've written three or four slim books. It may be that the next novel is a big one, but I don't know.
When I watch students make particular decisions about language, structure, and form, it sharpens my own thinking and my own development as a writer.
I do find the sibling connection endlessly fascinating, as I do all family dynamics. I like how siblings seem to create their own parentless mini-civilization within a family, one that has its own laws, myths, language, humor, its own loyalties and treacheries.
Life takes its own turns, makes its own demands, writes its own story, and along the way, we start to realize we are not the author.
The story itself, the true story, is the one that the audience members create in their minds, guided and shaped by my text, but then transformed, elucidated, expanded, edited, and clarified by their own experience, their own desires, their own hopes and fears.
Every language having a structure, by the very nature of language, reflects in its own structure that of the world as assumed by those who evolved the language. In other words, we read unconsciously into the world the structure of the language we use.
For me a paragraph in a novel is a bit like a line in a poem. It has its own shape, its own music, its own integrity.
For me, a paragraph in a novel is a bit like a line in a poem. It has its own shape, its own music, its own integrity.
When I got into the music industry, I wasn't focused on being the most famous artist or even getting a major record deal. It was just to make music on my own terms or create my own image, do my own hair, do my own makeup.
One should have strength and courage to follow their own truth, speak their own language, fulfill their own dreams.
Whether or not you're writing fiction or you're making sculptures. You're trying to create a space. You're trying to make something where your own epiphanies and your own desires and your own understanding of the world can reveal itself.
I want to view my own efforts to write a novel as a function of my own artistic aspirations rather than a good career move. And I need to learn how to commit to characters for a longer time, to confront the limits of my own capacities for attention and compassion. That's what a writing career does, in the best instance: it allows you to keep after what you can't do.
The most successful people recognize that in life they create their own love, they manufacture their own meaning, they generate their own motivation.
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