A Quote by Don DeLillo

There are two categories of writers, it could be said: The author who is just a voice, and the one who is also creating a picture. I belong to the latter, because I have an acute visual sense.
Every chemical substance, whether natural or artificial, falls into one of two major categories, according to the spatial characteristic of its form. The distinction is between those substances that have a plane of symmetry and those that do not. The former belong to the mineral, the latter to the living world.
The letters of famous people can be placed into two categories: there is the type of letter which becomes itself a valuable contribution to literature through its wit, style or wisdom; another kind is that whose main importance lies in the provision of a background to their author's life. Especially in the correspondence of great writers and poets, these two factors are very often combined.
We do not belong to this material world that science constructs for us. We are not in it; we are outside. We are only spectators. The reason why we believe that we are in it, that we belong to the picture, is that our bodies are in the picture. Our bodies belong to it. Not only my own body, but those of my friends, also of my dog and cat and horse, and of all the other people and animals. And this is my only means of communicating with them.
That is many poets don't know how to tell a story and they don't have a sense of how to put things in order to tell a story and we thought the poets could learn from fiction writers something about developing a character over time who wasn't just you and also creating a narrative structure.
Miss Abigail, I want to be an author because writers know when a person is lonely. I mean, when Molly read me some books, those writers reached out and said, Look Gideon, we know about your loneliness and we know you're feeling downtrodden. And they said...I'll stand up for you. You're not lone anymore.
The past is full of examples of renegade writers who were overlooked in their time not only because their work didn't fit neatly into potted categories but also because they avoided the self-promotional efforts of their peers.
One of the two is almost always a prevailing tendency of every author: either not to say some things which certainly should be said, or to say many things which did not need to be said. The first is the original sin of synthetic natures, the latter of analytical natures.
It's a creative enterprise, just like art, just like painting, music. Creating something can be done in different categories, so to do it in film is just another expression, which is great. Because it translates so well because so many people see the work, if you're lucky.
I once cured an amateur skydiver of acute acrophobia. Now, you could say he was all right, because he was able to jump. But you could also say he was not all right, because he was so stoned he neglected to open his parachute.
Then, you also have that, we all have that sense of wanting to belong. We all have that road-rage, you can relate to that road-rage because you're so frustrated. The sense of frustration, the sense of getting caught, doing something wrong, all those are sort of universal emotions and you just have to make it specific to yourself and you channel this, I don't know what it is, but this inner self and then try to capture the vulnerability.
The way something looks or sounds is also what it means. Words as visual and aural phenomena, which mainly poets, not critics and prose writers, tend to be obsessed with. I think maybe I'm more of a curator than I am a writer in the strict sense because I am interested in how everything on the page, in a space, works together.
The sad thing about our society is that women are put in one of two categories. You're either in the beautiful category and you're seen as sexy and beautiful, or some version of that, or you're put into another category... The latter category affords women the opportunity to be smart, funny, independent, mean, strong, intelligent and opinionated. We take them seriously as politicians, if they fit into that latter category. We respect their opinions more and give them higher expectations. That latter category is what allows female actors to be characters.
A work can do many things at once, and it doesn't have to be just about the world, it could also be about photography, it could be about perception, it could be an exploration of the medium. It could be a document, it could be a visual poetry, and it could be a formal exploration all at the same time.
I think it was Samuel Johnson who said, "There are two kinds of information in this world: that what you know and that what you know where to get." The tools help the latter, and that's what keeps us from going nuts. The sense of overload comes from the gap between that sudden jump in volume (of information) and the tools we have to make sense of it.
I was the weirdest kid in this small town in Washington. I was the only person who was from somewhere else, so I think they just didn't understand it... They said I was a weirdo or that I didn't belong there. That was the hardest one when people said I didn't belong there.
Good writers have two things in common: they prefer to be understood rather than admired; and they do not write for knowing and over-acute readers.
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