A Quote by Don DeLillo

The novel is the dream release, the suspension of reality that history needs to escape its own brutal confinements. — © Don DeLillo
The novel is the dream release, the suspension of reality that history needs to escape its own brutal confinements.
Through pop music ideas, energies and resources can emerge that can help the audience release themselves from the unrelieving confinements of environment.
Movies, more than anything I can think of, are a great escape from reality. My reality, in particular, needs escaping.
I love idyllic places and the kind of suspension of history they offer. But noble beauty is not enough. One must complicate the picture, because there's nowhere to "escape" to on the planet in pursuit of a hermetic pastoralism or a redemptive wilderness sublime.
Writing a novel is a terrible experience, during which the hair often falls out and the teeth decay. I'm always irritated by people who imply that writing fiction is an escape from reality. It is a plunge into reality and it's very shocking to the system.
The novel since its origins has been the privatization of history... the history of private life ... and in that sense every novel is an historical novel.
Why suspend the habeas corpus in insurrections and rebellions? Examine the history of England. See how few of the cases of the suspension of the habeas corpus law have been worthy of that suspension. They have been either real treasons, wherein the parties might as well have been charged at once, or sham plots, where it was shameful they should ever have been suspected. Yet for the few cases wherein the suspension of the habeas corpus has done real good, that operation is now become habitual and the minds of the nation almost prepared to live under its constant suspension.
All men who read escape from something else into what lies behind the printed page; the quality of the dream may be argued, but its release has become a functional necessity.
Escape into the dream. Escape, a key thing charged against these drugs, that they are for escapists. I think the people who make this charge hardly dare dream to what degree they are escapist.
If the brutal facts are not faced by leaders, the brutal reality sets in.
A novel is utterly your own creation, a very private process. I think of a novel as a noun and a screenplay as a verb. In a novel, very little needs to happen; you can explore a person's memories and thoughts and fantasies. In a screenplay, it's all action; you must push the story on.
It's about avoiding reality through various escape routes that become addictions and lead to Hell. My character is addicted to television, chocolate, coffee, to her dream of her son, which has no basis in reality.
The aim of every authentic artist is not to conform to the history of art, but to release himself from it in order to replace it with his own history.
This suspension of one's own reality, this being entirely alone in a strange city (at times I wondered if I had lost the power of speech) is an enriching state for a writer. Then the written word ... takes on an intensity of its own. Nothing gets exteriorized or dissipated; all is concentrated within.
Make a sex tape, upload it, get on a reality show, release a perfume, retire. That's the new American dream.
For me, writing a novel is like having a dream. Writing a novel lets me intentionally dream while I'm still awake. I can continue yesterday's dream today, something you can't normally do in everyday life.
War is more like a novel than it is like real life and that is its eternal fascination. It is a thing based on reality but invented, it is a dream made real, all the things that make a novel but not really life.
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