A Quote by Don DeLillo
There's a curious knot that binds novelists and terrorists...Years ago I used to think it was possible for a novelist to alter the inner life of the culture. Now bomb-makers and gunmen have taken that territory. They make raids on human consciousness. What writers used to do before we were all incorporated.
Related Quotes
I used to think it was possible for an artist to alter the inner life of the culture. Now bomb-makers and gunmen have taken that territory.
Terrorists are people, too - they are given to error. Naipaul and then DeLillo do a good job in their novels of drawing this out: I'm thinking of DeLillo's contention in 'Mao II' that terrorists have replaced writers as the people who 'alter the inner-life of the culture.' I thought that was marvellous!
Not long ago, a novelist could believe he could have an effect on our consciousness of terror. Today, the men who shape and inflence human consciousness are the terrorists.
One connection I see between novelists and terrorists is that we both attempt to alter consciousness.
Long ago in China, knot-makers tied string into buttons and frogs, and rope into bell pulls. There was one knot so complicated that it blinded the knot-maker. Finally an emperor outlawed this cruel knot, and the nobles could not order it anymore. If I had lived in China, I would have been an outlaw knot-maker.
I was a magazine illustrator for many years before I became an actor, and I used to think, 'Oh, God, all those wasted years!' But now I think it's just been one big enterprise of illustrating. I used to do it with colored pencils, and now I do it with this voice and this set of limbs.
There's no doubt that Boko Haram has been driven from many of its strongholds in northeastern Nigeria. Now, President Muhammadu Buhari says technically, we have won the war. Those in the know say but technically, the army is still losing the battle because Boko Haram has changed tactics. Instead of now holding territory as it used to and calling this territory its own, now it is resorting to guerrilla tactics, hit-and-run raids and especially suicide bombings.
I used to bomb around London in my little Austin 10 throughout the raids to appear on stage and if there was a raid before the show was over I would be there, crouching on a floor wherever I could find a big thick wall.
True terror is a language and a vision. There is a deep narrative structure to terrorist acts, and they infiltrate and alter consciousness in ways that writers used to aspire to.
I was on television a couple of years ago and the reporter asked me, "How does it feel being on mainstream media? It's not often poets get on mainstream media." I said, "Well I think you're the dominant media, the dominant culture, but you're not the mainstream media. The mainstream media is still the high culture of intellectuals: writers, readers, editors, librarians, professors, artists, art critics, poets, novelists, and people who think. They are the mainstream culture, even though you may be the dominant culture."
I used to live in a hostel with Bihari roommates. They used to be very excited about getting their pictures clicked, and since there weren't any mobile phones back then, they used to have a photographer accompany them everywhere. Thus, my character's personality and the photographer were incorporated into 'Dabangg.'
A thousand years ago, scientists who wondered about consciousness and the nature of reality were burned at the stake. We still haven't recovered from that and it's left us with a culture that no longer investigates consciousness, except on the fringes.
When I was younger, me and my brother got a video camera, and he used to direct and I used to act. We used to make these silly, stupid short films, which, looking back now, were probably horrible.
To aspiring writers, I would tell them that we live in a wonderful time where you're able to make your work visible, easily. If you think about it, even ten years ago or twenty years ago, there was a middle man, there was a publisher, there were studios, there was this world of rejection letters. Now, we're in a place where we have the technology and the ability to go shoot our own movies or to put stuff on YouTube or a blog, if you're a writer, or self-publish.
The character of Rosie is based on a woman who used to live in the same apartment building I lived in many years ago. She's taken on a life of her own, of course.
Well, a few years ago I think I could have given you a more enthusiastic answer about that but in the last few years, for the first time in my life, I really haven't listened to much music. I used to work with music on and now I don't.
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