A Quote by Don DeLillo
Naturally a direct comparison of terrorist and novelist is complete nonsense. But there was once a time when the novelist also had some influence on how his contemporaries thought, the way they saw the world, the way they lived.
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I am the luckiest novelist in the world. I was a first-time novelist who wasn't awash in rejection slips, whose manuscript didn't disappear in slush piles. I have had a wonderful time.
In terms of style, I think the memoirist should have a novelist's skill and all the elements of a novelist's toolbox. When I read a memoir, I want to really, deeply experience what the author experienced. I want to see the characters and hear the way they speak and understand how they think. And so in that way, writing a memoir feels similar to writing a novel.
The utmost the American novelist can hope for, if he hopes at all to see his work included in the literature of his time, is that it may eventually be found to be along in the direction of the growing tip of collective consciousness. Preeminently the novelist's gift is that of access to the collective mind.
Sigmund Freud was a novelist with a scientific background. He just didn't know he was a novelist. All those damn psychiatrists after him, they didn't know he was a novelist either.
I realized that my identity as a novelist was private. Only I knew how much of a novelist I was!
I resist when someone calls me a novelist: it implies some kind of inherent superiority of the novel. I'm not a novelist, I'm a writer.
The thought of the novelist lies not in the remarks of his characters or even in their introspection but in the plight he has invented for his characters - in the juxtaposition of those characters and in the lifelike ramifications of the ensemble they make: their density, their substantiality, their lived existence actualized in all its nuanced particulars, is in fact his thought metabolized.
I had, like any other young novelist, started out by believing the difficult thing was to get published and that, once you managed that, well, your financial problems were over. I discovered, like any other serious novelist, that actually they had only just begun.
If you are a novelist of a certain type of temperament, then what you really want to do is re-invent the world. God wasn't too bad a novelist, except he was a Realist.
If you are a novelist of a certain type of termperament, then what you really want to do is re-invent the world. God wasn't too bad a novelist except he was a Realist.
I know that it's axiomatic in the film industry that you're not supposed to let the novelist develop their own story. Well, first of all, that's kind of up to the novelist - because they don't have to sell it. But also, I don't believe it. It's about trust.
When I was 30 or so - by that time I had become an assistant D.A. - I decided I would try to write a novel. To be clear: I did not decide to become a novelist. Honestly, it never crossed my mind that I could actually earn a living as a professional novelist.
I guess, when I left university, I liked the idea of being a writer, and I thought then that being a writer really meant that you were a novelist. But if one of the impulses for being a novelist is wanting to be a storyteller, I never had any urge to tell stories.
The novelist's obligation to remake the sensuous texture of a vanished world is also the historian's. The strongest fiction writers often do deep research to make the thought and utterances of lost time credible.
Many novelists say, "I'm not a political novelist" - myself included. That's a standard, even a default position. Whereas that divide between art and politics simply isn't possible in many countries. In Hungary, you couldn't be a fiction writer and then, when asked about politics, put your hands up in the air and say "But I'm not a political novelist." If you're a Chinese novelist, a novelist in a country where censorship is such an issue, how do you claim that politics has nothing to do with your writing? It's in your writing, it's shaping your words.
I’ve always said to people, "I don’t care what you call me as long as the checks don’t bounce and the family gets fed." But I never saw myself that way. I just saw myself as a novelist.
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