A Quote by Don DeLillo
Terror is now the world narrative, unquestionably. When those two buildings were struck, and when they collapsed, it was, in effect, an extraordinary blow to consciousness, and it changed everything.
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One's teachers all belonged to that generation who were imperialists, and the whole narrative throughout my adolescence was of countries leaving the empire. I find it extraordinary that this purpose which drove how we viewed the world is now considered to be something that has no effect upon us.
Ones teachers all belonged to that generation who were imperialists, and the whole narrative throughout my adolescence was of countries leaving the empire. I find it extraordinary that this purpose which drove how we viewed the world is now considered to be something that has no effect upon us.
It's not that big a mystery about types. It's not even that big a mystery why so many people are picking up on things now. It's like we were talking about the primitive thing before and all that. Nothing has really changed much. The things that have changed are like we're on the noon now. There are more buildings now. But we're still basically two monkeys sitting here.
As a result of the World War, this old Germany collapsed. It collapsed in its constitution, in its social order, in its economic structure. Its thinking and feeling changed.
"The War on Consciousness" is really all physical manifestations and all those problems are ultimately just a war on your way of thinking. Especially now, when we're involved in the war on terror. Terror is a psychological term. Terrorism is a political term. Terrorist is a sociopolitical term. But terror is a psychological thing.
The two greatest mannequins of the century were Gertrude Stein and Edith Sitwell - unquestionably. You just couldn't take a bad picture of those two old girls
Not long ago, a novelist could believe he could have an effect on our consciousness of terror. Today, the men who shape and inflence human consciousness are the terrorists.
I knew very well that I could not stay. Everything collapsed. Everything in my life just collapsed, and it started with the kidnapping of three teenaged settlers and then judging the life - the young Palestinian from Jerusalem. That was the day that I decided that I have to go now.
Two hundred years ago, our precursors in Haiti struck a blow for freedom, which was heard around the world, and across centuries.
We were trying to get all of the planes down out of the sky. And we watched as the towers of the World Trade Center collapsed - something no one expected and anticipated. And you could sit there and see and be aware that thousands of people were at that moment being killed as a result of the terrorist attacks that struck the United States.
When the world changed, people were different. Towns closed, cities were boarded up, communities abandoned, their governments collapsed. They seemed to have no qualms that were obvious to you or me about walking away from what they called a useless pile of rubbish, and never looking back.
The modern world has created airports and hospitals and put 10,000 songs in our pocket. It has built gleaming buildings and computers and advances and innovations that blow our minds. But we have soul, and spirit, and consciousness, and the modern world hasn't done so well at helping us name and understand what it means to be thriving and fully alive with a full heart.
I've had a couple of times where things were so extraordinary wonderful that it changed my world. One of them was when I met Ira Gershwin and started working with him. That was a game-changer for me. It changed the entire course and direction of my life.
True terror is a language and a vision. There is a deep narrative structure to terrorist acts, and they infiltrate and alter consciousness in ways that writers used to aspire to.
I had written two or three books before my husband noticed that in every one of them a family member was missing. He suggested that it was because my father's death, when I was five, utterly changed my world. I can only suppose he is right and that this is the reason I am drawn to a narrative where someone's life is changed by loss.
I think that the inability to love is the central problem, because that inability masks a certain terror, and that terror is the terror of being touched. And if you can't be touched, you can't be changed. And if you can't be changed, you can't be alive.
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