A Quote by Don DeLillo
A novel determines its own size and shape and I've never tried to stretch an idea beyond the frame and structure it seemed to require.
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Changes in size are not a consequence of changes in shape, but the reverse: changes in size often require changes in shape. To put it another way, size is a supreme regulator of all matters biological. No living entity can evolve or develop without taking size into consideration. Much more than that, size is a prime mover in evolution.
We never know the reality of things: we see only what we are aware of. It is our consciousness that determines the shape of the world around us -- its size, motion and meaning.
a novel is not born of a single idea. The stories I've tried to write from one idea, no matter how terrific an idea, have sputtered out and died by chapter three. For me, novels have invariably come from a complex of ideas that in the beginning seemed to bear no relation to each other, but in the unconscious began mysteriously to merge and grow. Ideas for a novel are like the strong guy lines of a spider web. Without them the silken web cannot be spun.
The syntactic component of a grammar must specify, for each sentence, a deep structure that determines its semantic interpretationand a surface structure that determines its phonetic interpretation.
I do think, or rather I sense that there is a relationship - at least in my own work - between a dramatic structure, the form and sound and shape of a play, and the equivalent structure in music. Both deal with sound, of course, and also with idea, theme.
We have fried things in cubes, historically. We tried bars of Hollandaise, we tried different shapes, but it ultimately seemed like the cube was the right shape.
I've no objection to the term 'graphic novel,' as long as what it is talking about is actually some sort of graphic work that could conceivably be described as a novel. My main objection to the term is that usually it means a collection of six issues of Spider-Man, or something that does not have the structure or any of the qualities of a novel, but is perhaps roughly the same size.
In my experience, writing a novel tends to create its own structure, its own demands, its own language, its own ending.
The best in art and life comes from a center - something urgent and powerful, an idea or emotion that insists on its being. From that insistence, a shape emerges and creates its structure out of passion. If you begin with a structure, you have to make up the passion, and that's very hard to do.
I have always wanted to write a novel, and I tried many times but could never find the right story. One day, I was walking on the beach, and the idea for 'Groundswell' hit me. I went into the house and started writing and never stopped.
With any body shape it's important to buy the right size and not be dictated to by size you think you are. Try on a bigger and a smaller size in the shop and see what fits visually. If you do have to go up a size, cut the label out, it's just a number!
The process of writing a novel is getting to know more about the novel until you know everything about it. And it's been described as a kind of dreamlike state where you're letting the novel make its own shape, and you're putting into it the pleasure of creation, which is intoxicating.
For me a paragraph in a novel is a bit like a line in a poem. It has its own shape, its own music, its own integrity.
For me, a paragraph in a novel is a bit like a line in a poem. It has its own shape, its own music, its own integrity.
I think every character I play has a physicality to them, so I have to stay in some sort of shape. I'll never be a size two. And I don't want to be a size two.
Loving oneself isn't hard, when you understand who and what 'yourself' is. It has nothing to do with the shape of your face, the size of your eyes, the length of your hair or the quality of your clothes. It's so beyond all of those things and it's what gives life to everything about you. Your own self is such a treasure.
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