A Quote by Don DeLillo
I like the construction of sentences and the juxtaposition of words-not just how they sound or what they mean, but even what they look like.
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These days, I like to think of sentences as workers. Only one of their jobs is to look and sound good. Sentences are the carriers of plot. They're the conjurers of images, the conveyors of tone and meaning and voice. The best sentences surprise us.
People don't talk like this, theytalklikethis. Syllables, words, sentences run together like a watercolour left in the rain. To understand what anyone is saying to us we must separate these noises into words and the words into sentences so that we might in our turn issue a stream of mixed sounds in response.
When people want to sound smart, they add syllables to words, words to sentences, sentences to paragraphs, paragraphs to books. They try to make up in quantity and complexity what they lack in quality. That's bullshit! They're just hiding their bullshit!
I think I have a pretty good ear. I mean, even just starting with, like, Austin Powers, where I did young Robert Wagner. People were, like, "How do you imitate Robert Wagner? What does he sound like? What does that even involve?".
The words are strung together, with their own special grammar-the laws of quantum theory-to form sentences, which are molecules. Soon we have books, entire libraries, made out of molecular "sentences." The universe is like a library in which the words are atoms. Just look at what has been written with these hundred words! Our own bodies are books in that library, specified by the organization of molecules-but the universe and literature are organizations of identical, interchangeable objects; they are information systems.
It's quite literally true that we are star dust, in the highest exalted way one can use that phrase. ...I bask in the majesty of the cosmos. I use words, compose sentences that sound like the sentences I hear out of people that had revelation of Jesus, who go on their pilgrimages to Mecca.
There are times when I can't stop speaking, when a million words leave my mouth in a matter of seconds… a million words that mean nothing… but when I want to find some words that mean everything, I just can't speak. Like: I miss you. Like: I love you. Like: My world is falling apart and I need you by my side.
How fascinating to a child are words: the shapes, sounds, textures and mysterious meanings of words; the way words link together into elastic patterns called "sentences." And these sentences into paragraphs, and beyond.
All actors have to make the words fit in their mouths, and make the words the words fit to how you say it and how you make it life-like and make it look like what you're saying is just conversation that you're just thinking off the top of your head. That process is not quite improvisation.
The juxtaposition of words - the color, feeling, and sound of the words together - has as much to do with the story as the narrative itself does.
It also has to do with how you look and how you sound. If you look like a mean SOB who's putting the other person down, that's different than if you're inquiring about the process they go through to make a decision on behalf of the public.
We all often feel like we are pulling teeth, even those writers whose prose ends up being the most natural and fluid. The right words and sentences just do not come pouring out like ticker tape most of the time.
My name is Kirby Rose, and I'm adopted. I don't mean to make it sound like an AA confession, although sometimes that's how people take it, like it's something they should be supportive about. I just mean that they are two basic facts about me.
Writing on a computer feels like a recipe for writer's block. I can type so fast that I run out of thoughts, and then I sit there and look at the words on the screen, and move them around, and never get anywhere. Whereas in a notebook I just keep plodding along, slowly, accumulating sentences, sometimes even surprising myself.
The most crucial thing is to learn the craft: how to string sentences together, how to make your dialogue sound like real people, how to properly pace a story, how to develop interesting characters.
Sound words can't be understood through formal study of the language alone. They're felt when you immerse yourself in the culture or lifestyle that becomes a part of you. The Japanese language is abundant with onomatopoeia. Even though I've lived in Japan a long time, sound words are still an uncertain territory. And I think new words are being created every day. Even when I don't know a word I can sometimes connect it to a meaning using the sensations produced by the sounds, which feels like I'm playing with words.
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