A Quote by Don DeLillo
True terror is a language and a vision. There is a deep narrative structure to terrorist acts, and they infiltrate and alter consciousness in ways that writers used to aspire to.
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I don't portray a terrorist. The American fans label me a terrorist. It doesn't matter what I claim to be: in their eyes, I am whatever they say I am despite the fact that I'm not committing any 'acts of terror.' I ask you, how am I portraying a terrorist? Because I look like a Muslim?
There's a curious knot that binds novelists and terrorists...Years ago I used to think it was possible for a novelist to alter the inner life of the culture. Now bomb-makers and gunmen have taken that territory. They make raids on human consciousness. What writers used to do before we were all incorporated.
Let's stop reflexively comparing Chinese writers to Chinese writers, Indian writers to Indian writers, black writers to black writers. Let's focus on the writing itself: the characters, the language, the narrative style.
"The War on Consciousness" is really all physical manifestations and all those problems are ultimately just a war on your way of thinking. Especially now, when we're involved in the war on terror. Terror is a psychological term. Terrorism is a political term. Terrorist is a sociopolitical term. But terror is a psychological thing.
A language possesses utility only insofar as it can construct conventional boundaries. A language of no boundaries is no language at all, and thus the mystic who tries to speak logically and formally of unity consciousness is doomed to sound very paradoxical or contradictory. The problem is that the structure of any language cannot grasp the nature of unity consciousness, any more than a fork could grasp the ocean.
Every language having a structure, by the very nature of language, reflects in its own structure that of the world as assumed by those who evolved the language. In other words, we read unconsciously into the world the structure of the language we use.
Magicians are manipulating your consciousness. They are showing you something impossible. They're getting you to construct a narrative, which simply isn't true. So that means they know how to make you aware of certain things and blind to other things. What I'm hoping is that magic, this entertainment vehicle that has been around for a long time, will give us a real insight into the deep mysteries of consciousness
...what I enjoy in a narrative is not directly its content or even its structure, but rather the abrasions I impose upon the fine surface: I read on, I skip, I look up, I dip in again. Which has nothing to do with the deep laceration the text of bliss inflicts upon language itself, and not upon the simple temporality of its reading.
Take a look at the Supreme Court decision that just authorized an effort by U.S. claimants against Iran for terrorist acts. What are the terrorist acts? The terrorist acts are bombings of U.S. military installations in Lebanon and Saudi Arabia, which Iran is claimed to have something to do with. Well suppose they did. That's not terrorism. I mean if we have a military base in Lebanon that while we're shelling Lebanese naval ships, the Navy is shelling Lebanese installations and somebody attacks [that's not terrorism].
A spiritual organization with a hierarchical structure can convey only the consciousness of estrangement, regardless of what teachings or deep inspirations are at its root.The structure itself reinforces the idea that some people are inherently more worthy than others.
If it [a country] looks like a terrorist, if it acts like a terrorist, if it walks like a terrorist, if it fights like a terrorist, it's a terrorist, right?
If the CIA is going to disrupt future terrorist attacks, it needs to recruit spies to infiltrate those groups in order to disrupt the terrorist attacks. Not to rely on what you and I are putting in chat messages on Google or Apple.
Translated literature can be fascinating. There's something so intriguing about reading the text second hand - a piece of prose that has already been through an extra filter, another consciousness, in the guise of the translator. Some of my favorite writers who have written in English were doing so without English being their first language, so there's a sense of distance or of distortion there, too. Conrad. Nabokov. These writers were employing English in interesting ways.
Terror is now the world narrative, unquestionably. When those two buildings were struck, and when they collapsed, it was, in effect, an extraordinary blow to consciousness, and it changed everything.
Language is very important. If you are condoning acts of terror... you are giving credibility to a view that is perverse and is wrong.
Experiences such as, 'I went; I came; I was; I did,' come naturally to everyone. From these experiences, does it not appear that the consciousness 'I' is the subject of those various acts? Enquiry into the true nature of that consciousness, and remaining as oneself, is the way to understand, through enquiry, one's true nature.
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