A Quote by Don DeLillo

People who are powerless make an open theater of violence. — © Don DeLillo
People who are powerless make an open theater of violence.
Conflicts are fueled by the tendency of the powerful to exploit the power and the anger and frustration of the powerless, which turns into violence. International Solidarity Movement activists are attempting to confront the exploitation of power and to bring back hope to the powerless.
In Mexico, theater is very underground, so if you're a theater actor it's very difficult to make a living. But it's also a very beautiful pathway to knowledge and to an open education.
Really, I wanted to make a movie [Valley Of Violence] about: How does violence affect people? This is a take from me on how violence affects people.
In Mexico, theater is very underground, so if youre a theater actor its very difficult to make a living. But its also a very beautiful pathway to knowledge and to an open education.
Well, you know, the violence is mostly in Mexico itself, at least the violence that people are worried about. And so we want to make sure that violence does not spill over into our communities that are along the border.
My primary goal is really to get people to open up and when they feel themselves contracting and collapsing to reduce that, and to know when that happens, "Oh, something's going on that's making me feel this way, and if I force my body open a bit, I will feel less powerless."
I must remind you that starving a child is violence. Suppressing a culture is violence. Neglecting school children is violence. Punishing a mother and her family is violence. Discrimination against a working man is violence. Ghetto housing is violence. Ignoring medical need is violence. Contempt for poverty is violence.
Well, enforcement theater is OK if it's reality theater. In other words, obviously, you want to make it clear, you want to make people see that the law is being enforced.
You can't make theater happen without actors. The actor is the central ingredient in making theater happen. Audiences may come to theaters to see the work of stage managers, directors and producers, but the only people who can communicate theater magic to audiences, through ideas and emotions, are the actors. They are the only ones who can communicate this by themselves, and if necessary, they can get along without you. But you can't make theater without the actor.
I do think that theater is a great venue for science fiction, and not just adaptations but also original work. I also think some of the greatest classics of theater have elements of SF, but in theater, as in publishing, sometimes people make arbitrary distinctions.
There are so many people, so many artists, so many magazines, so many theater companies, so many people trying to raise money for so many things that it's easy to look around and just feel powerless or helpless, because even if you have some resources, you can't help everybody.
For most of recorded history, parental violence against children and men's violence against wives was explicitly or implicitly condoned. Those who had the power to prevent and/or punish this violence through religion, law, or custom, openly or tacitly approved it. .....The reason violence against women and children is finally out in the open is that activists have brought it to global attention.
It's wrong to make a living off the theater. Theater should be supported, like redwood trees. You should make your living - whether you're a writer or an actor or a director - in movies or commercials. But you do theater out of love.
We must realize that violence is not confined to physical violence. Fear is violence, caste discrimination is violence, exploitation of others, however subtle, is violence, segregation is violence, thinking ill of others and condemning others are violence. In order to reduce individual acts of physical violence, we must work to eliminate violence at all levels, mental, verbal, personal, and social, including violence to animals, plants, and all other forms of life.
Violence is not merely killing another. It is violence when we use a sharp word, when we make a gesture to brush away a person, when we obey because there is fear. So violence isn't merely organized butchery in the name of God, in the name of society or country. Violence is much more subtle, much deeper, and we are inquiring into the very depths of violence.
The violence of the Left is symbolic, the injuries are not intended. The violence of the Right is real - directed at people, designed to cause injuries. Vietnam, nuclear weapons, police out of control are intentional forms of violence. The violence from the Right is aimed directly at people and the violence from the Left is aimed at institutions and symbols.
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