A Quote by Don Drysdale
In Brooklyn, it was as though you were in your own little bubble. You were all part of one big, but very close family, and the Dodgers were the main topic of everybody's conversations and you could sense the affection people had for you. I don't know that such a thing exists anymore.
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My family was in two businesses - they were in the textile business, and they were in the candy business. The conversations around the dinner table were all about the factory floor and how many machines were running and what was happening in the business. I grew up very engaged in manufacturing and as part of a family business.
By the grace of God, my parents were fantastic. We were a very normal family, and we have had a very middle-class Indian upbringing. We were never made to realise who we were or that my father and mother were huge stars - it was a very normal house, and I'd like my daughter to have the same thing.
I think I grew up with a profound sense of watching people who were good people, who were smart people, who were hardworking people - God, nobody on this Earth worked harder than my mom and dad - and they had very little.
If you were lucky, very lucky indeed, there were one or two people in your life who you could tell the unvarnished truth too, shell and egg. And that these people held the essence of you inside them. The rest would be conversations that ended when night fell, or the dinner part ended.
I'm very blessed, mainly because even though my family is mostly in show business, it's really centered around music. My parents were very successful in many ways, but they weren't necessarily top of the charts. We were never wealthy because of music. We always had to work and we always had to struggle a little bit, and I think at the end of the day that's been very good for me, because I have a sense of it being very ephemeral.
When I did 'Fast Times,' I felt very close emotionally to the characters. I liked those characters because they all had to work, so they were dealing with adult problems even though they were very immature, and I could relate to that.
I wouldn't say the anthropologists were making art, but they were definitely justifying their practices with very personal reasoning, passion, and they were also experimenting with form. There was a sense of trying to be as sincere as possible, whether you were investigating something far away from you or very close.
My children came out as individuals in their own right. They were not my products. They had their own characters and were very strong-minded. I gave them a lot of freedom when they were still very young. The one thing they got from me is morals. They would never betray anyone. They are really good people.
I had a very special family life. My mother and father made sure when we were home, we were part of the family, not a TV star. And the other thing: my father was fully employed while I was doing the series.
We were all such odd characters, even though we were a really functional family, in a way, as eccentric and crazy as we were. And it was such a wonderful feeling amongst us of being a family almost. We were 'The Addams Family!'
The good thing about those original credit card commercials was that they were very "filmic", they were like little movies, so it wasn't a big step to think well maybe we could make a big movie using this character, which we eventually did.
The fact is, it was a big show. We were a part of that show. Everybody watches for different reasons. There were some people who were tuning in that day to see what was going on with other characters.
It just struck me as really odd that there were all of these conversations going on about what young women were up to. Were young women having too much sex? Were young women politically apathetic? Are young women socially engaged or not? And whenever these conversations were happening, they were mostly happening by older women and by older feminists. And maybe there would be a younger woman quoted every once in a while, but we weren't really a central part of that conversation. We weren't really being allowed to speak on our own behalf.
I don't think if you asked any of my childhood friends they would say that I had a weird childhood; they might say there weren't a lot of regular rules, the conversations in the house were always very open, dreams were a great thing to talk about, everybody was making something all the time.
I rooted for the Dodgers when they were in Brooklyn.
I remember a very nurturing, safe environment: everybody knew who I was, who my parents were, who my grandparents were, what part of Russia we were from originally. That was a really comforting feeling. Non-Mennonites, when they see that aspect of it, think it's a beautiful thing, and it is, but there's so much going on besides.
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