A Quote by Don Ed Hardy
Tattoo is the magic word. It hits people in a way that no other visual medium does. And it is not simply visual, but visceral. Everybody has an opinion about it and everybody has a gut reaction. And because they are permanent, tattoos raise all these issues about life and death.
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I am a film director, and I work with a visual language, with a visual medium. And I try to make virtue of the use of this visual medium. And I try to make sure what I do speaks the language of cinema.
I'm a visual thinker. With almost all of my writing, I start with something that's visual: either the way someone says something that is visual or an actual visual description of a scene and color.
I really think if you have a tattoo you have to wonder about what kind of future you have ahead of you. As an employer, I wouldn't employ someone with tattoos as I would wonder what customers would think about them. For me, tattoos are just a way for people to find attention who haven't found another way in their life to achieve it by conventional means.
The idea of discussing psychological and philosophical ideas in a visual medium was really exciting to me. I thought I was going to go into philosophy...and suddenly I found this way to combine that with my love for visual mediums.
Movies like that aren't about the visual effects and explosions. They're human stories about family, about life, about death.
What's great is that each medium has a unique set of things that it does and does well. Film is a visual medium, and obviously, you can't fit a whole book into two hours unless you're really economical about it. Obviously, they say a picture is worth a thousand words, and on some level, it's sort of true.
I think everybody has tragedy in their life. Everybody has hurdles in their life. Everybody has tough things to overcome. My kids say to me, 'This isn't fair.' I said, 'Life isn't fair.' Everybody has their issues. It's how you handle your issues that distinguishes you.
Egon Schiele is my favorite painter. There's just something about art - photography, painting, music, plays - whatever you see, sometimes there's a gut reaction that's more important or more visceral than what your brain is thinking about. You can't explain that reaction. It's like what happens when you fall in love.
Television is a visual medium. You have to create some kind of visual interest. And it's entertainment for your eyes.
I have 18 tattoos. My tattoos have kind of become their own person. Everybody does stories on them. It is risky to be successful in the fashion industry and to tat your body up, but I figured, the way that I made my career and the way that I am successful is because I have always been myself.
I make films because I am endlessly fascinated by people. I'm fascinated immediately to know about the lives that are going on around me. That is what drives me. And that is because everybody matters, everybody is there to be cared about, everybody is interesting and everybody is the potential central character in a story. Judging people is not acceptable.
I want to look at myself the way I do on purpose, because if you aggrandize and try to look at yourself the way a fan does or the way a reviewer does or the way - God bless them, they all got a right to, everybody's got a right to an opinion about it.
About 70% of what I've written about is centered on the clashes and conformities between the emerging life and physical sciences and older metaphysical frameworks in the 17th and 18th centuries. The other 30% consists of one-off essays or researches into other intriguing contemporary topics such as visual experience, aesthetics, social justice issues, and the epistemology of moral knowledge.
When I read a script, I'll have a very visceral gut reaction to what does this mean to me? How does she feel in my skin? Could I play this role?
Nothing scales quite the way a sci-fi feature does, I mean, you can always add more visual effects; you can spend a lot of money on the visual fidelity alone.
A scary movie puts a lot of people, a mob, in one place. There are advantages to that because the panic runs through the audience. If it's a good movie, the fear jumps from one person to the next. You can find yourself screaming just because everybody around you is screaming. There's a real atmosphere of terror. It's also visual, which means that you can't look away from this thing - it's happening. You're in the dark. It's like a nightmare. It's like a dream. It's very, very visual. It works on all those levels.
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