A Quote by Don G. Campbell
There is danger in singing someone else's song.
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When I sang that song, I felt it was almost as if some force had moved into my body. Things like that have only happened to me singing jazz. It doesn't happen when singing pop. I get so deeply into the music, it feels like I've become someone else.
It's a different process for me, but it's really cool to hear someone else singing the song that you wrote.
Whether I'm writing for myself or someone else, I'll always write a song that I would feel comfortable singing.
I'm very comfortable singing myself, first of all. Secondly, there's a certain disconnect when you write the song and you have someone else sing it for you. And it's kind of like a fakeness about it.
With a track like 'White Christmas,' everybody has done that song in every format you can imagine, so I just looked at the chords at that particular song and what chords would make it work. That's kind of quite a sad song, and I had this idea of someone singing it in the subway, someone who is homeless, old and sad.
I get a lot of shit because I put "I" in the lyrics all the time. The "I" is always for someone else... When I say "I," it's so that when that person is singing along with the song, it empowers them.
When I sing a song, I want someone to recognize 'Now that's Dianne singing that song.'
I think there's something therapeutic in singing about anything, whether it's what you've written or whether it's someone else's song. I find both satisfying in different ways.
I wouldn't want someone assuming that some negative song has some truth between me and my wife. There was a song that one of my buddies sent me, and it was an awesome song. It was about this woman who had fallen in love with a man that wasn't her husband, and I love everything about the song except for the fact that I personally cannot sing it. It would kill me if someone thought I was singing it about my wife.
Musically, though, you're a character and you're singing a song. If you're not your own character, you're the character in the song, most of the time. Even blues musicians, a lot of them who were the most realistic, at times, they were singing a song and portraying a character in the song. There's something to be said for getting involved in the emotion of a song, too, with the characters.
In Bollywood you are constantly singing someone else's feelings and someone else's vision.
I think it's important to be able to write stuff that's personal to you and stuff that you'll really be able to understand what you're singing about and be able to truly sing it. Because if you're singing a song that someone's written for you and you really can't relate to it, it's hard to sing that song.
You know the one with the big ears? Wait a minute, he ain't my president, he might be yours, he ain't my president. You know that woman he had singing for him, singing my song - she's gonna get her a- whipped. The great Beyoncé But I can't stand Beyoncé. She has no business up there, singing up there on a big ol' president day singing my song that I've been singing forever.
I know that I can't ever write a song that just sounds completely saccharin. Even if I'm singing about someone being my complete love life, I'm singing about my own inabilities to be as bright as that person.
And this shall be for music when no one else is near,
The fine song for singing, the rare song to hear!
That only I remember, that only you admire,
Of the broad road that stretches and the roadside fire.
How many thick black women are there singing whatever I'm singing, surrounded by rappers, but also from the suburbs? I can't really judge someone else for judging me!
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