A Quote by Don Henley
I played drums on Keith Carradine's first record.
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I always tell people that to be the funny person in a Steve Martin movie is like getting a call that Keith Moon wants you to play drums on his record. He should be playing drums on his record.
I used to play the drums. When I was 11 I got my first professional job, I played drums in a cabary and played Elvis and stuff, I used to play left handed actually. Then I started to pick up the guitar when I was around 15, but I played the drums for a long time.
My first gig was in Philadelphia and I played the drums for my older brothers. That same night, I also played drums for Martha and the Vandellas. Ah, the fond memories of being 14.
People make their life really hard. It was as simple as this: My parents went to church. My grandfather was a bishop. My mom sang in the choir, my dad played the keyboard, and my uncle played the drums. I was into playing the drums, so I played the drums a lot for my uncle, and it got to the point where I was pretty nice at playing the drums. And he let me play every Sunday so, to me, going to church was fun.
All I ever wanted to do was play the drums; I felt good about myself when I played the drums. So I worked anywhere and everywhere I could lug my drums in.
It seemed so wimpy at first when I started to play [guitar]. So I started playing loud with lots of effects just to try to mimic the dynamic [of the drums]. Drums seemed a lot more expressive. [I was] Trying to emulate the feeling of playing the drums on the guitar - I guess that's why I played it so loud.
Marvin Gaye was a killer drummer. I think he just played during the soundchecks and he'd have another guy sing his parts while he played the drums. He just wanted to play the drums and have some fun.
I've always kind of had an interest in the drums but nothing else. The drums are the only thing I feel I would be good at, because I'm a very physical person. I've always played sports and stuff. Drums would give me something to do.
19 Keith Thurman has to remind you who Keith Thurman is, why Keith Thurman is one of the baddest men at 147, why you need to always mention me when you mention the others... and, hopefully, put my name first.
I love to talk about the drums and music. I started playing drums when I was probably six and played a lot until I was about ten or eleven years old. So, I guess five or six years where I played. I had a drum set at home, and I would just bang on it. I'd even go on the Internet and study basic beats and so forth.
People want to be the first with the record, they want to be the first to know which songs are on the record, all that kind of stuff. So I like to just stall them a bit. Personally, I love the idea of an album that's completely new, that no one's heard any free downloads, any pre-record releases, all that kind of stuff, and nothing's been played on the radio. Totally virgin, you know, a sealed record. That's my ideal, but it's very hard to get anybody else to agree to do that.
A lot of opinions just really don't get to me. If anything, some of them were humorous and my favorite, you know - I'm Keith 'One Time' Thurman. I'm Keith 'Run Time' Thurman, Keith 'Sometime' Thurman, Keith 'Once Upon a Time' Thurman. That was pretty amusing.
When I was a kid, I played drums, and when I first got a 4-track, I would put down drumbeats and then do the rest of the tracks on top.
Back in the early '90s, I started going to Nashville to do a lot of co-writes. One of the first people I met there was Keith Follese. Keith and his wife Adrienne are both songwriters, and we wrote some songs together.
I've played in pipe bands in Scotland, and I've always played guitars and drums and stuff.
I love the Bach Prelude No. 2 in C Minor and had that stuck in my head: why don't I put this on Imaginaryland? So I brought it to my friend Tom Grimley who recorded That Dog's first record. I played him all my a cappella pieces, and he said, "P, you should really make a record, it would be great! You can record it at my studio and I'll put it out!"
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