A Quote by Don Herold

Comic-strip artists do not make good husbands, and God knows they do not make good comic strips. — © Don Herold
Comic-strip artists do not make good husbands, and God knows they do not make good comic strips.
'Blade Runner' was a comic strip. It was a comic strip! It was a very dark comic strip. Comic metaphorically.
It seems beyond the comprehension of people that someone can be born to draw comic strips, but I think I was. My ambition from earliest memory was to produce a daily comic strip.
I looked at Tank Girl, which is the coolest comic, ever. The movie didn't make the comic book any less cool. The comic is still the comic.
The comic strip is what I looked at, and it's another reason I did it. The comic strip, where animals would comment on human behaviour, interested me.
I think in daily newspapers, the way comic strips are treated, it's as if newspaper publishers are going out of their way to kill the medium. They're printing the comics so small that most strips are just talking heads, and if you look back at the glory days of comic strips, you can see that they were showcases for some of the best pop art ever to come out.
I'd always enjoyed the comics more, and felt that as long as I was unemployed it would be a good chance to pursue that and see what response I could get from asyndicate, as I didn't have anything to lose at that point. So I drew up a comic strip - this was in 1980 - and sent it off and got rejected. I continued that for five years with different comic strip examples 'til finally Calvin and Hobbes came together. But it's been a long road.
Sometimes people try to read into my strip and find out what my state of mind is. And I can say if I'm in a good mood, generally the comic strip starts out in a good mood, but the punchline is very negative and sour.
Charles Schultz is a really interesting case. He wrote that comic strip and drew it himself from beginning to end, and it's a work of genius. It's very simply drawn, but it has some really deep emotions that you don't expect in a silly-looking comic strip.
We can make this industry and this environment and comic book shops and comic book conventions and comic books themselves, we can make them a thing that is accessible to everybody so that nobody feels unwelcome, and nobody feels like this isn't their place.
When comics are in the room, people have a tendency to try to make them laugh. That doesn't really make you funnier. It makes you a comic's comic, but you aren't going to get a fan base doing that.
I feel like there are comic book artists who are comic book artists, and then there's comic book artists who are cartoonists.
Mothers send strips to daughters to make a point. Daughters smack strips down on the breakfast table to make a point. My own mom sometimes cuts a strip out and sends it to me to make sure I understand her.
I never storyboard. I hate it. I don't understand why so many directors want to make comic strips of their films.
It used to be that comic strips were the big thing, and comic books were toilet paper.
I was writing the kind of comic that would make me, at age 26 or 27, go down to a comic book store every month and spend my $2. That was my starting point. I wanted to write a comic that I would read. And that's still my agenda.
A good comedy's very hard to make, so good comic writing I really enjoy.
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