A Quote by Don Herold

The chief trouble with jazz is that there is not enough of it; some of it we have to listen to twice. — © Don Herold
The chief trouble with jazz is that there is not enough of it; some of it we have to listen to twice.
I love jazz. So to me, there are two main types of jazz. There's dancing jazz, and then there's listening jazz. Listening jazz is like Thelonius Monk or John Coltrane, where it's a listening experience. So that's what I like; I like to make stuff that you listen to. It's not really meant to get you up; it's meant to get your mind focused. That's why you sit and listen to jazz. You dance to big band or whatever, but for the most part, you sit and listen to jazz. I think it comes from that aesthetic, trying to take that jazz listening experience and put it on hip-hop.
The Schnauzer listens to jazz. I listen to jazz because he likes it, and I have even gone to jazz concerts with him, but truthfully I would rather listen to retarded children pounding on pan lids with wooden spoons.
I don't listen to a lot of music when I have my free time. But I'll go to a jazz club and have a drink and listen to a good jazz musician. Or sometimes in the morning, if I want to put myself in a good mood, I'll put on some Latin music.
Jazz is smooth and cool. Jazz is rage. Jazz flows like water. Jazz never seems to begin or end. Jazz isn't methodical, but jazz isn't messy either. Jazz is a conversation, a give and take. Jazz is the connection and communication between musicians. Jazz is abandon.
The average age of the Jazz audience is increasing rapidly. Rapidly enough to suggest that there is no replacement among young people. Young people aren't starting to listen to Jazz and carrying it along in their lives with them. Jazz is becoming more like Classical music in terms of its relationship to the audience. And just a Classical music is grappling with the problem of audience development, so is Jazz grappling with this problem. I believe, deeply that Jazz is still a very vital music that has much to say to ordinary people. But it has to be systematic about getting out the message.
I listen to country music. I listen to jazz. I listen to R&B. I listen to Jimi Hendrix a lot.
There aren't any labels - all jazz means is improvization and you can never play a tune the same way twice. So jazz spills over into everything.
I listen to so much, I listen to a lot of reggae. Obviously I listen to hip-hop, that's what I make. I listen to soul. I love jazz. I love all types of music.
If you let a person talk long enough you'll hear their true intentions. Listen twice, speak once.
When you are studying jazz, the best thing to do is listen to records or listen to live music. It isn't as though you go to a teacher. You just listen as much as you can and absorb everything.
My advice for the next commander in chief: Listen to your military advisers. Listen to your generals. They are the experts. Even if you have a commander in chief who has served in the military, that person still isn’t engaged on a daily basis. The generals will know best.
I grew up in a jazz household. They made me listen to jazz before I could hear my Motown.
Most of what I listen to now is mainstream jazz from 1935 right up to and including early bebop and cool jazz.
The humor of jazz is rich and many-sided. Some of it is obvious enough to make a dog laugh. Some is subtle, wry-mouthed, or back-handed. It is by turns bitter, agonized, and grotesque. Even in the hands of white composers it involuntarily reflects the half-forgotten suffering of the negro. Jazz has both white and black elements, and each in some respects has influenced the other. It's recent phase seems to throw the light of the white race's sophistication upon the anguish of the black.
I listen to a lot of oldies stuff. Some Motown, Michael Jackson, jazz, etc.
I listen to jazz mainly. Mainstream jazz.
This site uses cookies to ensure you get the best experience. More info...
Got it!