A Quote by Don Hertzfeldt
To me everyone goes through that at some point in adolescence, you know. There's - you meet someone when you're a young teenager, and they're never right for you, and you always wind up hurting someone on the way to figuring out all this stuff. But it was a fun writing process.
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Everyone is usually screwed up in some way and that is usually where the work comes in - figuring out how to make it believable and make it real to present someone's problems that you don't necessarily actually know anything about.
I'm always touched when I go to events and stuff, to meet fathers who come up to me and thank me and say, "because of you my young daughter knows that she can do anything she sets out to do." And the way young girls are raised now, I don't think there's any doubt that they know they can do anything. And if what goes by the by is that they don't feel they have to be in solidarity with all other women, that's O.K. as long as they know that that strength has been there in the past and can be there in the future for them.
The concept that a person who has a lot holds his hand out to someone who has less, or someone who isn't hurting holds his hand out to someone who is, is simply a human trait that has nothing to do with celebrity. I am confounded at the stinginess of some institutions and some people. I'm bewildered by it. You can only put away so much stuff in your closet.
A young person, or someone who's writing in a different way - in some ways you could say, eventually someone will find them. Eventually someone will hear them. But it's good a lot of young people persevere. Because sometimes you have to send something out a thousand times before anyone recognizes your value.
I grew up as a Christian, and I always think of Jesus as someone right next to us, you know, someone really close, and I never actually saw that onscreen in a way that could be identified.
When I meet certain filmmakers, sometimes you sit down and you do have some kind of shorthand. It can be fun to see them as someone who has been through similar experiences, but also as someone who just loves film. You can talk with them about films in a way that feels really free.
The writing of 'The Ladykillers' was fun. But once it goes out of your hands it's not fun, 'especially for someone who is used to being hands-on like me.
There are very few films or plays or anything about really happy people with perfect lives. Everyone is usually screwed up in some way and that is usually where the work comes in - figuring out how to make it believable and make it real to present someone.
I know the movies that I've liked, and I know the experience that they've given me, so the goal is always to try to create a movie that I would like myself and that would knock me out, challenge me or intrigue me in some way. That's been my criteria for figuring out what I want to do, or also when I'm writing something or creating a scene.
Everyone wants to know what you want to work on and everyone wants to pitch you what they're working on. And that's just part of the process. And hopefully, at some point you find someone of like minds and you make a film.
The problem with people is that no matter how good you are at what you do, it's never enough for them. There will always be someone to point out some flaw. Someone will always find something lacking in you.
Comedy can be silly and gross and offensive, as long as there's sort of a point. You can make a joke that, on the face of it, is racist. Ostensibly someone can appear to be racist, but if you know you're making a point about race, and not just being pig-headed, then you can do that. I think some people who don't understand comedy will have a knee-jerk reaction to some stuff, and will always be offended by it because they don't understand it. Some people react to it in a vociferous way, which is unsophisticated, but there's always going to be those people out there.
I think everyone goes through it in university, figuring out whether or not they're doing the right course. I guess I'm the same, but in music.
Love is agony, isn't it? I've been involved with someone for some time now, but it's all so complicated. It's never straightforward is it? You meet someone, you fall in love, it's the most wonderful thing ever but... There's always something that's not quite right about love, isn't there?
I like conflict - someone who challenges me, someone who I can look up to, someone who can keep me in check. Love has to be extraordinary; otherwise, there's no point in it. I just haven't met anyone who's made me feel that way.
I now know my right from my left and my up from my down. Unluckily, my terrible sense of direction remains. For me, to live in New York City is to never be able to meet someone on the northeast corner. It is to never ever make a smooth entrance, always to get caught looking lost on the street.
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