A Quote by Don Imus

I'm so happy, I think I'll dress up like J. Edgar Hoover and sing show tunes. — © Don Imus
I'm so happy, I think I'll dress up like J. Edgar Hoover and sing show tunes.
It's an incredible education [for the movie J. Edgar Hoover] . It was like I did a college course on J. Edgar Hoover but not knowing and understanding the history and reading the books, but understanding what motivated this man was the most fascinating part of the research.
I just kind of had my own impressions growing up with Hoover as a heroic figure in the 40s - actually the 30s, 40s, and 50s and beyond - but this was all prior to the information age so we didn't know about Hoover except what was usually in the papers, and this was fun, because this was a chance to go into it [ during filming 'J. Edgar Hoover' ]
I kept being asked by corporations to do corporate gigs. And I said, 'I don't have anything. I'm not a stand-up. You want me to come sing show tunes for you? I don't think so.'
We're interested in complex characters and he's a complex character, [J. Edgar] Hoover. I like these types of dramas. I've made a few of them and I'm also interested in power structures so it just has elements that fascinate me, and the more you learn about Hoover, the more polarizing you realize he is.
Do I think J. Edgar Hoover was gay? Yes. Do I think he cross-dressed? No.
I had not been very kind to J. Edgar Hoover. And the field agent had written on - it was sent directly to Hoover - that - the director should see this - `And, besides, Hentoff is a lousy writer.' And I thought that went a bit far.
[ J. Edgar]Hoover, I'm sure, felt that he was right in everything he did and even the things that we don't like about his character.
J. Edgar Hoover very famously denied the existence of organized crime up until the Appalachian Meeting, I think, in 1957. It was interesting to me that he clearly had to know that there was such a thing as organized crime and organized criminals as far back as the '20s.
I grew up with J. Edgar Hoover. He was the G-man, a hero to everybody, and the Federal Bureau of Investigation was the big, feared organization. He was ahead of his time as far as building up forensic evidence and fingerprinting. But he took down a lot of innocent people, too.
To me, you couldn't write a character like J. Edgar Hoover and have it be believable. I mean, he was a crock pot of eccentricities. We couldn't even fit all his eccentricities into [ the same named] movie.
My role models were Amelia Earhart and Eleanor Roosevelt, and my major crush was J. Edgar Hoover.
Our tunes aren't just sing-along tunes: they're very complex. After a few days of that, you gotta take a break.
The words are the important thing. Don't worry about tunes. Take a tune, sing high when they sing low, sing fast when they sing slow, and you've got a new tune.
It's interesting in this day and age to do a film about political espionage and wiretapping. I don't think that those types of secrets that J. Edgar Hoover was able to obtain and keep for such a long period of time would be possible in today's world, with the Internet and WikiLeaks.
One night last summer, all the killers in my head assembled on a stage in Massachusetts to sing show tunes.
I would far rather over-estimate the threat [imposed by the Patriot Act] and be proven wrong than to underestimate the threat and wake up one morning in a world where the 21st century's J Edgar Hoover has the power to blackmail anyone in America.
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