A Quote by Don Larsen
When it was over, I was so happy, I felt like crying. I wanted to win this one for Casey. After what I did in Brooklyn, he could have forgotten about me and who would blame him? But he gave me another chance and I'm grateful.
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I'll (Phil Rizzuto) never forget September 6, 1950. I got a letter threatening me, Hank Bauer, Yogi Berra and Johnny Mize. It said if I showed up in uniform against the Red Sox I'd be shot. I turned the letter over to the FBI and told my manager Casey Stengel about it. You know what Casey did? He gave me a different uniform and gave mine to Billy Martin. Can you imagine that! Guess Casey thought it'd be better if Billy got shot.
My father was a doctor, but his passion was making cars, and he was also very good at carpentry. He was a gem, and I don't blame him for not understanding me. When I told him that I would be leaving, he checked his pocket and took out 100-rupee note and gave it to me. He did not like that I was leaving, yet he gave me the money.
I got the feeling Poseidon really didn't know what to think of me. He didn't know whether he was happy to have me as a son or not. In a strange way, I was glad that Poseidon was so distant. If he'd tried to apologize, or told me he love me, or even smiled. it would've felt fake. Like human dad, making some lame excuse for not being around. I could live with that. After all, I wasn't sure about him yet, either.
My heart lifted, and a matching grin curved my lips. He wanted to see me again. Maybe he really did like me after all. I felt like doing a happy dance, but of course, I was way too cool for that. I'd at least wait until I got back to my hotel room, alone, where no one would see.
We wanted Peyton to have a chance to win another Super Bowl. We have a chance to honor him like we did other players that came back. He's one of the greatest players. In the end. you look for a great football game, and that's what you hope for.
I'm truly grateful to the writers of Fringe for giving me that because, over the years, when I've spoken about the character with them, I've always felt that this would be the perfect way to end and complete his journey, and to complete the journey of this series, and they gave it to me.
When I thought I'd killed him, I felt more alone than I've felt in a long time. Like I couldn't stand walking through this city knowing he wasn't in it. Like somehow, as long as he was out there somewhere, if I was ever really in trouble, I knew where I could go and while maybe he wouldn't do exactly what I wanted him to do, he'd keep me alive. He'd get me through whatever it was to live another day.
One thing I've experienced and I feel really grateful for now that I'm on my way out is that I felt that the justices gave that back to me. I really did. You know, of course, you can have some sharp exchanges. That's the nature of the thing, and that's fine. But really in the main I felt like the tone from them was, "Yeah. We may not agree with you, but we're going to have a discussion about this." And it did.
He was magnificent; very clever with outstanding technique. He could pass the ball over five yards or fifty; he could see things to set up other people; he could shoot and he could score goals. If you gave me Paul Scholes and ten others, I would be happy. I would tell them to give him the ball and then we would have a good team.
A lot of people would be happy that they got through a long career and had a chance to play as many times in the finals. To me, I wanted to win for the franchise and for the people. And when you can't do that, it's devastating, particularly for someone like me.
I become an actress to do things that scare the sh*t out of me and I felt like I didn't stand a chance to get this part because people have preconceived notions about me, but if they gave me the part, I would do everything in my power to not screw it up.
I was never insecure. A lot of people ask me that - especially, did you feel pressure being Pau's brother? No, because I saw success through him. And I felt it. Because we're so close of a family, when he got recognition, I felt happy for him. I felt genuinely happy for him.
Wenger gave me the opportunity to be where I am today. He's a coach that helped me a lot, who gave me a chance, who's always been there for me in the bad moments. He called me, consoled me, gave me good advice, told me what I had to do to become a great player. I can only thank him.
After the Dance was my first attempt at nonfiction. I'd never really participated in carnival, and I really wanted to go. It sounded like a wonderfully fun thing to do. And I wanted to write something happy about Haiti, something celebratory. And going to carnival gave me a chance to do that, because it is one of the instances in Haiti when people shed their class separation and come together.
After I did 'Brooklyn,' I did about five or six violent films in one way or another, and not always with me being the bad guy, but something violent about it to keep the street cred up, really.
A lot of guys get out of wrestling immediately after winning a gold medal. Every time another Olympics comes around, it's always a bunch of fresh faces. For me, to win an Olympic gold and have a chance to win another would be huge for our sport.
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