A Quote by Don McCullin

America has never taken me to its heart. I've always been an outsider. — © Don McCullin
America has never taken me to its heart. I've always been an outsider.
I've never thought of myself as an outsider but the more I'm around people, it appears to be that I'm an outsider. When they look at you and go, "What planet did you drop in from?" I don't know, but it's always been like that.
I’ve always been a sort of self-imposed outsider, not a geeky outsider or a snobby outsider but, I just have a natural desire to live on the fringe. I’m not like a weirdo with a trench-coat but I just prefer to be alone or minimally surrounded by people.
I've always been an outsider. I am an outsider in Garbage. I'm the odd one out by default.
As it happened, I didn't grow up to be the kind of woman who is the heroine in a Western, and although the men I have known have had many virtues and have taken me to live in many places I have come to love, they have never been John Wayne, and they have never taken me to the bend in the river where the cottonwoods grow. Deep in that part of my heart where artificial rain forever falls, that is still the line I want to hear.
I've always been an outsider. I've always been attracted to roles that would challenge me and that wouldn't come around very often.
I've just always been a fan of really fringy, outsider things, and I've always been a balloon in the wind, in terms of where that takes me.
Alan Turing, to me, always felt like an outsider's outsider.
I look for a thematic idea running through my movies and I see that it's the outsider struggling for recognition. I realize that all my life I've been an outsider, and above all, being lonely but never realizing it.
The artist is something of an outsider in America. I have always felt that America does not value its artists, certainly not in the sense that the Europeans do.
America as a setting seems inexhaustibly fascinating to me, and I think there's something about the outsider viewpoint that works for me. Being of Jewish descent in England always carried a vague sense of being foreign, while not being a practicing Jew made it hard to think of myself as fully Jewish either. So living here in a way just clarifies that terminal outsider position - makes it somehow official, which I like.
No matter what you eventually become - free, empowered - the lingering feeling of 'once an outsider, always an outsider' is very vivid for me.
My biggest inspiration is black America and what they've done in the arts. I have always felt like an outsider in America, and what black Americans have done to add their chapter to this book called the American dream, and to be so unapologetic and true, and have added so much to art and culture in the world. Some of the greatest inspirations in my life have been black Americans. And I just wanted to say thank you. They've been a huge inspiration, to myself and this country.
It's like you always have to put on a happy face, be the phony baloney, and I'm so not that. I never was that; I'll never be that. That is part of the business that I don't like. Maybe that will always keep me an outsider, I don't know. But that's fine.
Genius of a kind has always been with me; an empty heart that has taken on a certain wooden quality; an excellent, strong woman's body and a pitiably starved soul.
I've never wanted to be part of an inner circle of any scene. I've always been an outsider looking to question and subvert.
I always had this crisis: where do I come from? I was never an insider, never an outsider; I was always in the middle. But it means I never have borders in my head.
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