A Quote by Don McLean

That song didn't just happen. It grew out of my experiences. 'American Pie' was part of my process of self-awakening: a mystical trip into my past. — © Don McLean
That song didn't just happen. It grew out of my experiences. 'American Pie' was part of my process of self-awakening: a mystical trip into my past.
All roads lead to 'American Pie.' 'As American as apple pie' was the saying. It was some kind of a big American song that I wanted to write, which would be a conclusion for my show and bring all the songs home, which it still does. I can go anywhere I want with American music and come home to that. And it all makes sense.
Historians constantly rewrite history, reinterpreting (reorganizing) the records of the past. So, too, when the brain's coherent responses become part of a memory, they are organized anew as part of the structure of consciousness. What makes them memories is that they become part of that structure and thus form part of the sense of self; my sense of self derives from a certainty that my experiences refer back to me, the individual who is having them. Hence the sense of the past, of history, of memory, is in part the creation of the self.
When writing I just go with the song. I go with the song and try to tell the story. So the story may be "Wonderful Baby", which is a little song. Or it might be a gentle song, "Empty Chairs". Or it might be a rock and roll song like "Prime Time" or "Run, Diana, Run", or "American Pie". I don't know where it's gonna go. I don't have any idea what I'm doing. I just do it. I just keep doing it. I keep taking adva
The kinds of mystical experiences that I have had definitely convinced me that I was able to get out of time. I have had experiences, or brief glimpses, of being able to see the future and then come back into time, and then go into extraordinary realms of the past.
While the impostor draws his identity from past achievements and the adulation of others, the true self claims identity in its belovedness. We encounter God in the ordinariness of life: not in the search for spiritual highs and extraordinary, mystical experiences but in our simple presence in life.
My approach is that we are not searching for experiences here. We are trying to know the one who experiences all experiences. Our search is for the witness. Who is this observer? Who is this consciousness? Sometimes it feels sad, sometimes it feels happy; sometimes it is so high, flying in the sky, and sometimes so down. Who is this watcher of all these games? - high and low, happy, unhappy, in heaven and hell. Who is this watcher? To know this watcher is to know God. And you are already it - just a little awakening is needed... no search but only awakening.
I sang 'American Pie' a lot in my stage set. It had a knack of uniting an audience in a sing-along. It's a clever song about American history but wrapped in a fantastic tune.
No one ever comes up to me and says, 'Hey man, I loved your work in 'Road Trip.' They say, 'Are you that guy?' Like, they have no idea. 'Were you in 'American Pie 2?'
The samsara is the sense of self. I've had past experiences. I'm aware of the moment. I will have future experiences.
American Pie speaks to the loss that we feel. That's why that song has found the niche that it has.
Part of my growth as a producer was not just about making beats but also helping in the process of inspiring the song and making the song the center.
Synchronicities, epiphanies, peak, and mystical experiences are all cases in which creativity breaks through the barriers of the self and allows awareness to flood through the whole domain of consciousness. It is the human mind operating, for a moment, in its true order and moving through orders of increasing subtlety, reaching past the source of mind and matter into creativity itself.
What makes 'American Pie' so unusual is that it isn't a relic from the counterculture but a talisman, which, like a sacred river, keeps bringing joy to listeners everywhere. When 'American Pie' suddenly is played on a jukebox or radio, it's almost impossible not to sing along.
I've had many songs where I've gone, 'Oh, my God, this song is going to be huge!' but it wasn't the right artist, or something just didn't happen. It didn't make the song any worse. It just didn't line up. That does happen.
It seems to me that the American popular song, growing out of American folk music, is the basis of the American musical theater… it is quite legitimate to use the form of the popular song and gradually fill it out with new musical content.
In the past, my process would start with a sample of another song, and I'd chop it up and use that as the basis of the song that I was making.
This site uses cookies to ensure you get the best experience. More info...
Got it!