A Quote by Don Pendleton

Mack Bolan is a classic American hero. Readers like him and I feel very good about that. — © Don Pendleton
Mack Bolan is a classic American hero. Readers like him and I feel very good about that.
I can count on one hand the number of conductors-composers-arrangers that I enjoy working with, and at the top of that list is Mack Wilberg. I feel like I've known Mack forever. I'm just nuts for him.
Mack Bolan was simply a man who could command himself.
Irish readers, British readers, American readers: is it odd that I haven't a clue about how differently they react? Or better say, I cannot find the words to describe my hunch about them.
I've had people say very dismissive things about my books, but I also feel like I probably have more readers because I'm a woman. I mean, more readers are women and more people who buy books are women, so I don't feel like it's a total disadvantage to be a female writer.
Heroes come in all sizes, and you don't have to be a giant hero. You can be a very small hero. It's just as important to understand that accepting self-responsibi lity for the things you do, having good manners, caring about other people-these are heroic acts. Everybody has the choice of being a hero or not being a hero every day of their lives.
Life is often more a sweat than a pleasure but, paradoxically, it is the sweat that gives true meaning to all of life's pleasures. This is the message from Mack Bolan, book after book, and it is the only thing dignifying this type of fiction.
Hell was not for the living, it was for the dead, even the hallowed dead. Let the dead rest in peace. Someday Mack Bolan, too, would rest. For now, he had to find his way among the living.
Zico was my idol. He was a very good player from Flamengo, and I was a Flamengo supporter from Rio de Janeiro. I was always looking for him and saying I want to be like him. He's my big hero.
The pulp hero, though he may be a renegade, is a guy who doesn't feel. Anything. Ever. And for the adolescent male - pummeled by emotions left and right, whether arising from sexuality or resulting from his necessary encounters with authority - this hero is a blessing, a relief and a release. The world he lives in, where feelings are totally under control, looks to the adolescent boy like heaven! This hero's lack of feeling - like Star Trek's Spock - is what allows him to be a genius, or allows him to shoot the bad guys and/or aliens, without a quiver to his lip.
I like stories of the classic hero, of good versus evil, the ones in which the good guys wear white and the bad guys wear black... and I love a good sword fight.
An athletic man, or whatever you want to call him, will only look good in a very classic suit, a pair of classic jeans, athletic clothes or simply naked. Forget fashion. This is not going to happen, unless you want to look like a Chippendales dancer in designer clothes.
I've always been in love with samurais, that kind of classic idea about a hero who has a sword with an intense skill and is very stoic and doesn't talk much.
The violence in the Executioner books is merely stage-dressing for dramatizing the commitment and dedication Bolan has to his ideals and the lengths to which he will go to honor them. We can learn this message of love and commitment and carry it into our own lives without the violence and bloodshed, and of course it is this wish that fuels the writing. I do not want my readers to pick up a gun and follow Bolan's example; I want them to be stirred by his commitment and to find ways to meet the same challenges without resort to violent means.
I believe the most intricate plot won't matter much to readers if they don't care about the characters, especially in a series. So I try to focus hard on making each character, whether villain or hero, have an interesting flaw that readers can relate to.
I always go back to old vinyl albums I loved, and that's sort of the aim I had with 'Hero' - just to make it look classic and feel like me, but also timeless in a way.
Cotton Mather is one of those classic figures of American history who can't be left out. One has to explain him or explain him away, redeem him or denounce him.
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