A Quote by Don Rickles

I don't really tell a joke per se, I build up an attitude and it becomes a joke. — © Don Rickles
I don't really tell a joke per se, I build up an attitude and it becomes a joke.
When I'm writing columns, it's - all I'm thinking about is jokes, joke, joke, joke, setup, punch line, joke, joke, joke. And I really don't care where it goes.
As you can tell from watching the show, I'm not a strong joke writer per se.
The U.K. and Europe in general seem to be a lot more patient. The U.S. are expecting 'joke joke joke joke joke joke joke.' They don't actually sit and listen to you.
I cannot tell a joke. But I can do a situation, that it becomes a joke.
Even when I lecture per se, I am a joke comedian, I can do the voices.
To this day, if you gave me $1,000, I really can't stand up - You can tell a joke. You're a good storyteller and a good joke teller.
I'm not a big one for jokes. I can't tell a joke, believe it or not. If you gave me a thousand bucks and said, "Don, get up at a party and tell a joke," I'm the worst.
As far as outlining is concerned, I don't outline humor. I might right down a word or two to remind myself of a punch line I thought of, but the actual structure of a piece I really don't. I don't think it would really help me because for me the process is joke, joke, joke, joke.
When I was governor, if I told a joke in front of the press - I learned. I would go, "That was a joke, joke, joke," and I'd say it three times.
Often, when you're in some of these writing rooms for... and the most restrictive is network television, right? They say, 'Wow, that's a great joke, but we can't do that. Okay, let's try the second joke. Oh, you can't do that one. But the third joke you can do,' and hopefully it will be great, but it will remind people of what the joke really was.
A comic strip has a rhythm and a pattern, and you got to get in and out quick. So you set up a joke, tell the joke, and done.
Let's hit the joke once and move on to the next joke and just keep it where we have as many jokes per square inch as possible.
I enjoy watching a woman with really bad teeth and a good sense of humor struggling to use her lips and tongue to hide her teeth when she's laughing. I just stand there and tell her joke after joke after joke.
I have become a giant fan of the testing process, especially with a comedy. I mean, they tell you what's funny. It's almost tailor-made for people who shoot the way we shoot, trying a million different options and versions of things. Because the audience doesn't laugh at a joke, we put in another joke. If they don't laugh at the next joke, we put in another joke. You just keep doing them and you can get the movie to the point where every joke is funny, if you have enough options in the can.
A lot of the comedians don't even tell the joke. Like only three tell the joke, the rest of them dissect it.
If I've got a black joke, and I can't tell it in Oakland, then I shouldn't tell the joke anywhere else.
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