A Quote by Don Rickles

I've never gone to comedy clubs. — © Don Rickles
I've never gone to comedy clubs.
Even though I have fond feelings for comedy clubs, I enjoy the focus you get in a theater. Comedy clubs are a different animal. People are being served nachos and there's a blender going off in the background.
I've gone to normal clubs, straight clubs, and I've gone to gay clubs to party with my friends and fans. There's no difference. I have nothing to prove. I'm very comfortable in my own skin, and I'm thankful to have as many close gay friends as I have, people who have been so supportive in my life and have always been there for me.
What they call 'alt-comedy' now is basically what comedy was like in the '80s. People tried different things, and everybody went to the clubs; there was no other place. Then somehow, the clubs became infiltrated by Dice Clay and Carrot Top types.
The problem with a lot of comedy clubs is not that they are a comedy club; it's just the cheesy way they're presenting themselves. That's why a lot of people have a problem with them. If you're a relatively unknown comedian, you can play at a comedy club, you might play to hundreds of people every night. But if you try to make a concert event out of it, and try to play a rock club or something, where you might play to 10 people or no people. And the flipside of that is, that's also a great thing, to play to people who are your fans. Some people are too hard on the comedy clubs.
As a teen-ager I played cards, shot craps, played pool, went to the track, hung around social clubs. I knew that some card and crap games were run by the mob, and some social clubs were mob social clubs. Even as a kid I knew guys that were here today, gone tomorrow, never seen again, and I knew what had happened.
I would love to be able to play anywhere, but to me the sweet spot is clubs and theaters, just because I feel like you lean in to tell a joke. You don't back up. Comedy lives in that area. I've played amphitheaters, big clubs, and pool halls, and the most fun rooms hold anywhere from 500 to 2,000 people. That intimacy is where comedy really lives.
From 1987 to 1992, I was on the road for 40 weeks a year playing comedy clubs, and that was during the 'comedy boom.'
At first, there was a separation of clubs and sketch comedy. Now there's all kinds of comedy, making us one big happy family.
My intent when I moved to L.A. was to get in good with the comedy clubs and, eventually, try to break into Comedy Central and have my half hour special.
I worked at comedy clubs - if I can use the term 'work' - for several years. I middled at one point. I never made it; I was never a headliner. I never made enough time to write enough good material, in my opinion.
In the past two or three years, the number of clubs has doubled ... we've got close to 8 000 players, about 60 to 80 clubs. It's not restricted to the metros any more, it's gone rural.
It used to be that in comedy you had to play the clubs and work your way up, but now, before you do the clubs, you can put something up on the Internet. It's public access times a million.
People bring camera phones into comedy shows and clubs and concerts, and sound bites never come out right.
Comedy clubs were something that came to pass in the '80s, but toward the end of that, in the early '90s, people started doing comedy again in alternative spaces.
I never went to parties for the same reason I never went to clubs, because I had worked so many clubs with a band up in Jersey that I just wasn't interested in hanging out in places.
Over the years, I managed to develop this comedy career, went from opening act to headliner at comedy clubs, to playing concert halls, and had an off-Broadway show with 'Sleepwalk With Me.'
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