A Quote by Don Rickles
Compared to what some of the young comics use for material today, I'm a priest.
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The task of a priest, in some respects, may be different today, but the principles upon which Herbert built his life as a priest are of universal application.
Compared to what comics say today, I'm a monk, but in those days, it was unheard of to make fun of people like I did. Of course, they exaggerated how outrageous I really was.
I live making comics. Comics is an industrial art but less suffering, because comics are for young people who are more adventurous. I do that. I live off comics, and then I write books, but when you want movies, you cannot make movies without money.
In today's America He (Jesus) has moved from the central figure of world history to source material for late-night comics and pundits who would not dare treat other religious leaders with such disrespect.
If you think how many female comics there are compared to how many male comics there are, I think there are quite a few female comics on the TV.
There's no limitation on comics, nothing. From a logical standpoint, how can there be a limitation on comics? You can use any word in the dictionary. You can put them in any order you want to. You can use a vast variety of illustrating styles. People could do all sorts of things.
The history of literature is the history of the human mind. It is, as compared with other histories, the intellectual as distinguished from the material, the informing spirit as compared with the outward and visible.
We must remember that everything depends on how we use a material, not on the material itself... New materials are not necessarily superior. Each material is only what we make it.
Whatever they are, can Comics be "Art"? Of course they can. The "Art" in a piece is something independent of genre, form, or material. My feeling is that most paintings, most films, most music, most literature and, indeed, most comics fail as "Art." A masterpiece in any genre, form or material is equally "good." It's ridiculous to impose a hierarchy of value on art. The division between high and low art is one that cannot be defended because it has no correlation to aesthetic response.
I don't think I'm going to be priest material.
I tend to bristle at people praising alt comics as some kind of perfect comics paradigm, because there's quite a lot of misogyny in its history as well. Like, in my first comics class, every single great comic creator we studied was male.
I broke into comics by working as a press reporter for the industry, for a trade press in comics, and reporting on events and reporting on books and so forth, and I got to know some of the editors at DC Comics in the mid-'80s.
I write a lot of stuff, and some of it I don't even present to Judas Priest. But having said that, my first love is to play Judas Priest music.
When doing a revival, you have a lot of people asking you questions about someone who played it before, and to me that's neither here nor there - it has no bearing on the material that I have to use. The material that is written down in a score and script that the writers originally used is what I use.
There is often no material difference between the enjoyment of the highest ranks and those of the rudest stages of society. If the life of many a young English nobleman, and an Iroquois in the forest, or an Arab in the desert are compared, it will be found that their real sources of happiness are nearly the same.
I came in with a very specific idea about what a Doctor Strange movie should be, which was rooted in the comics, and I thought it should be as weird and as visually ambitious compared to modern comic book movies as the comic was when it showed up in the '60s compared to other comic books at the time.
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