A Quote by Don Roff

Writing a story, regardless of length, begins always with a single word. — © Don Roff
Writing a story, regardless of length, begins always with a single word.
I always tell my writing students that every good piece of writing begins with both a mystery and a love story. And that every single sentence must be a poem. And that economy is the key to all good writing. And that every character has to have a secret.
With me, a story usually begins with a single idea or mental picture. The writing of the story is simply a matter of working up to that moment, to explain why it happened or what caused it to follow.
Nothing ever begins. There is no first moment; no single word or place from which this or any other story springs.
But length of days with an evil heart is only length of misery and already she begins to know it. All get what they want; they do not always like it.
The story is everything, so it always begins with a story.And research is a kind of scaffolding built underneath the story as I go along. My enjoyment level varies, but in general, I'm writing about topics I find interesting, so I can't gripe too much.
The story is everything, so it always begins with a story. Research is a kind of scaffolding built underneath the story as I go along. My enjoyment level varies, but in general, I'm writing about topics I find interesting, so I can't gripe too much.
Nothing ever begins. There is no first moment; no single word or place from which this or any story springs. The threads can always be traced back to some earlier tale, and the tales that preceded that; though as the narrator's voice recedes the connections will seem to grow more tenuous, for each age will want the tale told as if it were of its own making.
We've always existed regardless of how popular our band is. We've been around for a while, and we can tour regardless of whether there's a single on the radio or not.
Alas," said Aslan, shaking his head. "It will. Things always work according to their nature. She has won her heart's desire; she has unwearying strength and endless days like a goddess. But length of days with an evil heart is only length of misery and already she begins to know it. All get what they want; they do not always like it.
When you have a single composer writing his work, it shouldn't be doled out in singles based on the length of a piece.
Freedom begins the moment you realize someone else has been writing your story and it's time you took the pen from his hand and started writing it yourself.
Love is anticipation and memory, uncertainty and longing. It’s unreasonable, of course. Nothing begins with so much excitement and hope and pleasure as love, except maybe writing a story. And nothing fails as often, except writing stories. And like a story, love must be troubled to be interesting.
The ultimate pitch for an era of short attention spans begins with a single word - and doesn't go any further.
A ten- or twelve-page story seems too easy, which is a funny thing to say considering that writing a decent short story is devastatingly difficult. Yet it still seems easier than a novel. You can turn a short story on a single good line - ten pages of decent writing and one good moment.
Writing about sex at length is a bit like describing mastication at length. It's the causes and the consequences and the meaning of it that are interesting, not the anatomical descriptions.
Each piece of writing I undertake, whether a story, novel, play, or poem, begins with an image.
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