A Quote by Don Roff
It’s hard to land a devastating jab/cross/hook/uppercut combo to your reader’s imagination when you’re telegraphing your punches.
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Fighters DON'T know how to jab. You take Roy Jones, for instance. He paws his jab. He throws it out, it don't land. And then he'll hit you with a left hook, hit you with a right hand. But he doesn't really know the jab. A guy needs to learn the jab, know the jab, and use the jab. And these guys don't do it today.
The thing that I'm most passionate about, I'm writing a book called 'Jab Jab Jab Jab Jab Right Hook,' and it really focuses on how to story-tell in a noisy, ADD world.
It's the emotional punches that you can't see that are just overwhelmingly devastating to your heart - your moral fiber.
Kell Brook is a strong fighter. He likes to dictate the pace, which most boxers like to do. He likes to use his jab to set up other punches, like the left hook.
If you're working a fight with let's say John Ruiz and...anyone and Ruiz goes jab, jab and grab, you better see whose landing the punches before it becomes a wrestling match.
It's a great excuse and luxury, having a job and blaming it for your inability to do your own art. When you don't have to work, you are left with the horror of facing your own lack of imagination and your own emptiness. A devastating possibility when finally time is your own.
The first punch I learned was the jab. Second, the cross punch; third, the hook - after that, all the combinations and how to move my head and feet. It took me just two months to be ready to get in the ring!
I always break people's noses with the uppercut, not the hook.
Fear is what activates your tools; your jab, your movement, your speed, your ability to absorb punishment.
a good writer should draw the reader in by starting in the middle of the story with a hook, then go back and fill in what happened before the hook. Once you have the reader hooked, you can write whatever you want as you slowly reel them in.
Your imagination is the single most important asset you possess. Your imagination is your power to create mental pictures of things that don't exist yet and that you want to bring into being. Your imagination is what you use to shape your future. And so in your own way, you are a prophet. You generate countless predictions every day. Your imagination is the source,tirelessly churning out mental pictures of what you'll be doing in the future.
In a rehearsal room, your real resource as an actor aren't the things around you; your resources are your imagination and your director and the other actors. In those close quarters, your imagination and your skills are what you turn to.
Every reader of your ad is interested, else he would not be a reader. You are dealing with someone willing to listen. Then do your level best. That reader, if you lose him now, May never again be a reader
A reader's own imagination is a far more powerful form of CGI than anything any movie can provide because it's unique. In your own imagination, you can enter all sorts of worlds, and they are unique to you because no other reader will interpret a book the same way.
I feel really strongly about not wanting to overly guide the reader about what he or she should think. I really trust the reader to know for themselves and not to need too much. You have your own imagination, your own experiences, your own feelings, and a novel wants ultimately to ask questions. It doesn't assert anything, or shouldn't, I think.
The cross is going to judge everything in your life: your eating, your drinking, your sleeping, your spending, your talking. Everything is cross-examined!
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